While Bloodstained: Ritual of the Night isn’t ashamed to wear its inspiration on its sleeve and execute on the checklist of its “vania” genre, it doesn’t elevate above the shadow of its predecessors. The result is a solid 2D action game from the ArtPlay team, with punchy combat, map exploration, upgrades and unlocks plus a myriad of items to collect, that operates within the confines of its tropes rather than pushing beyond to become something magical.
I’ll start by addressing the genre. There are way too many derivations ending with “vania” in video games. Metroidvania is the original of course, a popular term used for borrowed elements from classic franchises Metroid and Castlevania. Even though it’s tired nomenclature, “Igavania” is one particular description that does carry weight. Named for the distinct personality of Japanese developer Koji Igarashi, famed Castlevania producer, who conceived Bloodstained: ROTN after leaving Konami around five years ago. This final version is the byproduct of a lengthy Kickstarter crowd-funding effort that began all the way back in 2015.
With that out of the way, the game is the definition of solid though not revolutionary. Its core elements are consistent, namely combat, upgrades and map traversal, though there’s too many frustrations and roadblocks hampering it from excellence.
Story setup is typical. A group of alchemists summoned demons through a dangerous ritual, in hopes of maintaining their influence amidst the 19th century Industrial Revolution. (Smart plan.) The main character is Miriam, a “Shardbinder” who the alchemists experimented on as an orphan. Due to those tests, she can absorb crystals which (you guessed it) provide powerful abilities. Her counterpart Gebel feels animosity towards the alchemists for being used in their experiments, so he sets out for revenge by raising an evil castle full of demons. Along the way Miriam slays said baddies plus meets survivors integral to the narrative like an older alchemist, an apprentice, an exorcist and an Eastern demon hunter. The usual crowd.
The result is a solid 2D action game from the ArtPlay team, with punchy combat, map exploration, upgrades and unlocks plus a myriad of items to collect, that operates within the confines of its tropes rather than pushing beyond to become something magical.
Thus the singular goal throughout is to confront Gebel. There are side “quests” given by survivors, though calling them that is generous at best. There are really only three types: kill enemies, return items and make food. Repeat ad nauseam. I’m fine with their inclusion, it’s just these are falsely represented as anything more than errands. I counted only one true side story, involving a gentlemen trying to find his way back home. Though not nearly trying hard enough. It was comical, showing the potential for way more than the other set of monotonous chores.
Back to the main path, it’s finding Gebel that’s equal parts fun and tedious. Fighting demons is as expected, through a blend of upgradeable weapons and spells. Enemy variety is a highlight, even borderline extravagant. Facing off against massive wolf creatures, flying gargoyles, disembodied animal heads and electric jellyfish among others is novel at first, though becomes increasingly more mundane as slight variations are introduced and status effects take front stage. Sure it provides variety. That doesn’t mean it’s all memorable.
The biggest and baddest bosses are mostly good, albeit traditional, with a couple stand-outs that I won’t mention. Even the more cliched are well-executed, like the now standard doppelganger face-off. Boss encounters elicit the sort of down-to-the-wire moments where the player expends all abilities, healing items and strength. Emerging victorious, especially during the final gauntlet, easily pinpoints one of the game’s most remarkable qualities.
Artwork is striking, colorful in spots. Screen shots don’t do it justice. And the presence of the simple mini-map alongside modern visuals is truly awesome. Though there are some funky visual quirks with water and reflections, which stand out even more when so much of the game looks brilliant.
An impressive aspect is how the team uses camera techniques to shift the two dimensional perspective to show that it’s really built in a 3D space. Each area is distinct, as art design blends with functionality. Like the spiraling ascent of a massive tower or the sandy waterfalls of an underground desert. One area features moving machinery and shifting bookshelves, where ArtPlay does a good job incorporating its world design into environmental puzzles. Smartly revealing hidden areas or surprise enemies in the process.
Later areas especially require trickier platforming. Evolving game spaces in flux, like alternating or moving platforms with flying enemies to dodge. There’s that usual Igavania feel, complete with the frustrations of Medusa-like enemies seeking to turn Miriam into stone, and it’s a welcome change from the more combat heavy first couple acts.
The feel of progression is key in this genre, and Bloodstained: ROTN does it well enough with the major exception being swimming which I’ll detail below. Gaining new techniques such as double-jumps that allow further map exploration is a staple of vanias. In the game’s third act, there’s one that turns the game on its head which I found quite useful. Game length could span a few hours to upwards of more than a dozen, depending on approach. Which is maybe a bit too long for players like me that achieved near 100% map completion. Specifically because of pacing issues I’ll get into soon.
Boss encounters elicit the sort of down-to-the-wire moments where the player expends all abilities, healing items and strength. Emerging victorious, especially during the final gauntlet, easily pinpoints one of the game’s most remarkable qualities.
You’re probably thinking: All of this sounds pretty cool. And you’re right. There’s still a lot I haven’t mentioned yet, and it’s not nearly as positive.
First, it had a game-breaking bug at launch that still can plague players if not updated to the most recent patch. Absolutely make sure to be on the current version, especially Switch owners that will be playing it this upcoming week.
I also haven’t mentioned how Bloodstained: ROTN has crafting, cooking and transmuting systems in its sort of hub village. That’s because these are only somewhat useful when the real treat is finding stuff through enemies and chests. It is convenient in cases like health and status effect potions. Though these features are under-developed and the menus are convoluted. The cooking menu in particular is.. half-baked.
Let’s talk meat and potatoes. (Yup.) Item drops, namely weapons and gear. Part of what makes something like Castlevania: Symphony of the Night or more recent titles La Mulana 2 or Dead Cells special is that each drop feels meaningful. See an item pop-up, instantly access the menu and equip it to boost stats ever so slightly yet always importantly. With Bloodstained: ROTN, there’s just too much loot for a lot of it to matter. And so many duplicates! I spent the first half of the game using an accessory that I got from a lowly enemy in the tutorial segment, and made a God-tier weapon within an hour that I used until the game forced me to switch it due to narrative reasons.
Plus, except on the highest difficulty, I don’t see the need for a “build” which renders much of the more specific gear or abilities an afterthought. I tend to go for balanced builds, which worked perfectly. Combine balanced stats with an overpowered weapon, and encounters became more and more trivial. I can count on one hand the amount of items I used in each slot. Experimentation wasn’t rewarded, because I always felt like my prior setup was superior.
It pains me to say in all seriousness that this game has legitimately one of the worst water areas I’ve ever played. This is not hyperbole. It’s up there with Teenage Mutant Ninja Turtles for the NES. Not only are the controls absolutely miserable, it can’t even be accessed without a random ability drop from an inconspicuous enemy! We’re not talking an optional area here. This is required to finish the main story. It’s the only time I had to look up a guide to see what the heck I had to do, which was wait until one enemy dropped its corresponding shard ability.
This leads me to my final criticism: When a vania doesn’t have good signposting, as in an effective indication of where to go next, it risks feeling aimless and frustrating. Bloodstained: ROTN is one such game, which ultimately results in uneven pacing. Luckily there are times when it rewards wandering, though doesn’t offer more than a vague reference from a non-playable character on where to go next. Combining a lack of signposting with the requirement of a random ability to drop in order to progress in the main campaign mission is not good design, in my opinion.
After touching on both sides of my experience, I want to acknowledge that I had a good enough time playing it. However while exhilarating in spots, especially its boss fights, Bloodstained: ROTN isn’t a successor to Castlevania: SOTN or even worthy of comparisons to modern marvels like Team Cherry’s Hollow Knight or DrinkBox Studio’s Guacamelee! series. It’s more of a nod to its genre that adheres to its boundaries rather than innovating too much, which is disappointing considering its pedigree. I’m content that I tried it, though am left wanting it to be polished, improved and made much more memorable than it was.
Title: Bloodstained: Ritual of the Night
Release Date: June 18, 2019 (PC, PS4 & XB1), June 25, 2019 (Nintendo Switch)
Publisher: 505 Games
Platforms: PC (GoG & Steam), PlayStation 4, Xbox One, Nintendo Switch
Recommendation: If you are craving a game in the genre and haven’t already, I’d recommend playing the timeless Castlevania: SOTN which has a version available on Xbox One via backwards compatibility. (In fact, what are you doing? You should be playing that instead of reading this.) If you have, I still mentioned other games above that I’d suggest playing instead. If you do opt to try this one, you’ll probably feel nostalgic in the first few hours then will be somewhat underwhelmed when that feeling wears off. If you can tolerate the issues I cited, enjoy!
Sources: 505 Games, GamesPress, Mana Ikeda (Character Art Image), Xbox One X Screenshots.