Tag: Ubisoft

The Top 10 Highlights of Gaming’s Biggest Show: E3 2021

DomsPlaying

It’s over already?

The build-up to gaming’s annual Electronic Entertainment Experience (E3) gala lasts for what seems like forever. We make our predictions and get probably way too excited. Then the multi-day show and surrounding week-long event cycle is a whirlwind of information pushed by publishers, developers and hardware manufacturers big and small, plus a plethora of enthusiast media presentations and general coverage.

And it’s over before we know it.

During that time, it’s a rush. There are so many conferences and games in and around E3, as companies try their best to carve out their sections to capture a super engaged audience ready for cool, new stuff. Sure, it’s scattershot in this digital format. Sometimes unclear which events are backed by the Entertainment Software Association (ESA), who organizes E3, or which are on their own. Good news is that it’s all gaming for about a week straight. If you weren’t glued to the internet, I’ve got you covered.

2021 presented a number of challenges for the organizers and hosts plus all of the people working hard to make games while adapting to a COVID world. E3 went digital, and the results were certainly mixed when it comes to consistency and quality. I mean, it’s tough to make things during a pandemic.

That’s not to say there wasn’t a ton of great stuff across huge triple-A publishers, excellent indie presentations and informative interviews or panels. While I won’t cover everything, I’ll do my best to hit the major trends and most impressive reveals.

Congratulations to all the teams that did have something to show this year. It’s an accomplishment on its own to put yourself out there. I hope you get some temporary and much-needed rest before making that push to finish your projects.

Here are the ten biggest highlights from E3 2021, plus a little bonus for good measure.

#1: Xbox & Bethesda Games Showcase

This year’s Xbox & Bethesda show was illustrative of effort across an entire generation of investing in a directional shift for Microsoft’s gaming division. The single biggest exclusive that team Xbox has isn’t Halo Infinite or Starfield. It’s Xbox Game Pass. Out of 30 games shown, 27 are hitting the subscription service which will also soon be available in even more places. Headliners included a blow-out on Halo Infinite, cinematic trailer for console exclusive Starfield, stunning reveal of Forza Horizon 5, August release date for Psychonauts 2 plus an awesome deep dive into S.T.A.L.K.E.R. 2. The Outer Worlds 2 from Obsidian had arguably the best “non-trailer,” poking fun at games that are revealed with nothing to show. Then its finale was Arkane’s secret vampire project, entitled Redfall.

The theme of Microsoft’s conference was reminding everyone that Game Pass is the best value in the industry. How it’s making games more accessible on different devices. In particular the team boasted a number of notable third party hookups like Back 4 Blood, launching day one into Game Pass later this year, in addition to a sequel to one of my favorite games of 2019, A Plague Tale: Requiem in 2022. 12 Minutes, Atomic Heart, Somerville and Replaced are all day one titles. Then there’s existing games like Hades, Among Us and Yakuza: Like a Dragon hitting the service.

Packed with released and future content at a brisk pace, I didn’t even mention Battlefield 2042 and Far Cry 6, Xbox & Bethesda showed exactly what a console manufacturer slash major publisher should do at E3. And did I mention there was Game Pass? Hit up Xbox Wire for more details.

#2: Nintendo Direct & Treehouse Live

Nintendo usually bookends an already hyped event on the final day, showcasing its projects during a curated Direct video then launching right into gameplay segments on Treehouse Live. While there was nothing from Animal Crossing or Pokémon and zero hardware other than the collectible Game & Watch: The Legend of Zelda, the Japanese publisher and console maker did have a ton to like and a little bit for everyone. Including long-suffering fanbases.

Top billing was of course the sequel to The Legend of Zelda: Breath of the Wild which shared gameplay bits interspersed with cinematics, divulging that the skies above Hyrule will be an important part, prompting fan theories galore. Nintendo is targeting 2022 for that, perhaps to coincide with a certain console iteration. Fighting for biggest surprise of E3 overall was Metroid Dread, the first proper Metroid game in a decade set to be released in October, resurrected after its disappearance over fifteen years back. Even Advance Wars is hitting Switch in the form of the Advance Wars 1+2: Re-Boot Camp collection.

Mario Golf: Super Rush, Monster Hunter Stories 2: Wings of Ruin and The Legend of Zelda: Skyward Sword HD all had segments since their respective launches come over the next few weeks. Switch’s back half of 2021 lineup is rounding out as well, seeing as Nintendo announced WarioWare: Get It Together! in September and Mario Party Superstars in October. Third party exclusive Shin Megami Tensei V drops in November. Sprinkled in were segments on Life is Strange, Danganronpa, Just Dance 2022 and even Fatal Frame: Maiden of Black Water. Ubisoft crossover Mario + Rabbids Sparks of Hope made its second appearance of E3 here.

All in all, Nintendo showed strongly with its theme of rapid pacing, quality exclusives and ongoing partnerships for Switch that appealed to various swathes of its audience. Well, except for Bayonetta fans. Read a full recap here.

#3: Indies, Indies Everywhere!

It was nearly overwhelming trying to follow along with all the amazing mini-showcases featuring or solely focusing on independent creators this year. Guerrilla Collective. Day of the Devs. Future Games Show. Indie Game Showcase. ID@Xbox sections. Devolver Digital. And more. Indies positively stole the week in this digital format, the most consistent and wide-ranged showing ever for that slice of the industry. The best part of this format is that indies can share, or even capture, the spotlight and instantly hit the radar of fans and even people that might not normally check them out.

Between titles already announced and brand new reveals, I can’t count how many indies I want to play after the past week. Off the top of my head I can list over a dozen that are worth exploring. 12 Minutes, Black Tail, Bramble The Mountain King, Death’s Door, Happy Game, Harold Halibut, Lake, LifeSlide, Loot River, Lost in Random, Moonglow Bay, Replaced, Sable, Sifu, and Tunic. There’s way more, appealing to all tastes because that’s the forte of there being so many talented creators working in the space. Some even have limited time demos out on Steam or Xbox platforms.

That’s the beauty of the indie scene, and I’m ecstatic that smaller teams can hang with the so-called “big guns” this time of year. Perhaps even outshine them.

#4: FromSoftware’s Elden Ring

This one should be no surprise. Shoot, I dedicated an entire article to it right after its reveal last week.

In the most substantial get for Geoff Keighley and Summer Game Fest Kickoff Live last Thursday, FromSoftware shared an Elden Ring trailer for the first time since 2019. Right after, publisher Bandai Namco pushed press materials and screenshots that delved even deeper into the dark fantasy role-playing game, a collaboration with A Song of Ice and Fire writer and Game of Thrones showrunner George R.R. Martin. It temporarily satiated the appetite of the core gaming discourse online, with analyses and investigations into what it will end up being when it’s out in January 2022. A release target that’s way sooner than expected.

And for good reason. An open area soulslike made by the masters of the genre with different biomes, bespoke dungeons, towering bosses amidst the usual expert environmental design expected of FromSoftware. Especially if Elden Ring can strike a balance between story and lore, which is usually opaque in the developer’s prior titles, it could end up as the showpiece for games of its kind.

Right now, it’s 100% my most-anticipated upcoming release. I’m nowhere near alone in that regard.

#5: Summer Game Fest Kickoff Live

Tying in with the prior entry on this list, Summer Game Fest Kickoff Live marked the unofficial beginning of “E3 Week” as Geoff Keighley and his talented team produced a jam-packed stream featuring game reveals, musical performances, celebrity guests and, of course, that Elden Ring finale.

What’s great about anything Keighley does, including The Game Awards, is that he leverages industry relationships to make inclusive events that blend commercial and hardcore, and he just knows how to put on a show. His passion is evident immediately, and the sheer breadth of content is usually there. Since it’s not actually affiliated with E3 or any major console manufacturer, this is a place mostly for third parties and independent labels. This year’s stream featured Tiny Tina’s Wonderland, Metal Slug Tactics, Hideo Kojima’s Death Stranding: Director’s Cut, Jurassic World Evolution 2 (introduced by Jeff Goldblum), Salt and Sacrifice, Two Point Campus and even a new publishing label from Koch Media called Prime Matter.

Admittedly this one didn’t have the best pacing, with a notable lull in the middle. Luckily it started strong and was able to crescendo in the back third, not unlike its couple of great musical performances. Especially Japanese Breakfast singing over the serene gameplay of Sable. Following along was a fun way to begin the festivities, mainly because of production value and the know-how of its organizers. Visit the website for a replay.

#6: Ubisoft Forward

From a pure presentation standpoint, Ubisoft is one of the best in my opinion. Engaged hosts, snappy segments and often times gameplay features right after teaser trailers. Even if the content was a bit lighter than usual this year, for obvious reasons during a global pandemic, the massive French publisher’s event contained multiple intriguing projects.

Pre-show started with updates on already out titles like Watch Dogs: Legion, For Honor, The Crew 2 and a crossover between Teenage Mutant Ninja Turtles and Brawlhalla. Which was all an appetizer for the main course. Rainbow Six Extraction, the co-op first person shooter that previously had the unfortunate subtitle of Quarantine, featured both a trailer then gameplay demo. Guitar teaching software Rocksmith+ and annualized dance franchise Just Dance 2022 performed here. In the most intense and honestly fun showing, multiplayer extreme sport title Riders Republic brought a lot of energy. Every time I see that game, I’m more interested in trying it.

Ubisoft talked about how 2020’s Assassin’s Creed Valhalla will get another year of updates, implying that the next mainline game is a ways out. It showed a segment on its Film and Television content, then Far Cry 6 and the formal reveal of Mario + Rabbids Sparks of Hope. That “one more thing” moment came in the form of Avatar: Frontiers of Pandora, setting a release window for this action-adventure game as next year. We’ll see about that!

While nothing mind-blowing, Ubisoft’s lineup is about ongoing support and consistency of franchise appearances. The lack of Prince of Persia, Skull & Bones and Beyond Good & Evil 2 is unfortunate. Splinter Cell was only mentioned in passing, as is the case lately. It was still the most robust single third party publisher event this E3 season, and a full rundown can be found here.

#7: Wholesome Direct

The winner of this past week for “best vibes” totally goes to Wholesome Direct, an indie developer showcase strictly focused on the most chill, upbeat of new releases. There were at least 70 games shown, all of them non-violent and positively charming.

It’s hard to pick out individual games from so many, and it was really more about getting to see an entire showcase where everything was so darn cheery. But here are some that stood out to me. Lake is a narrative game about a delivery driver returning to her hometown. Moonglow Bay is colorful and set in a fun fishing town. Snacko is a simulation game about being a cat. Behind the Frame is a story puzzle game using art as its delivery method. Letters is a choice-based story about pen pals.

Admittedly, some are pretty self-explanatory. You battle as cakes in BattleCakes. Unpacking is a meditative, reflective game where you unpack boxes. The player cooks yummy meals in Soup Pot. In Skatebird.. well, you skate as a bird, of course!

And last but certainly not least was Pupperazzi. Yes. This is a game about taking photos of cute dogs. If that doesn’t sell you on the entire concept of Wholesome Games, I don’t know what will. Its website has lots of deets.

#8: Halo Infinite

Of all the games shown that aren’t named Elden Ring, Xbox’s Halo Infinite was probably the single most important single showing for a company presenting at this year’s E3. During the aforementioned Xbox & Bethesda show, a large chunk in the middle was dedicated to the latest mainline game in the Halo franchise since 2015’s divisive Halo 5: Guardians. While 343 Industries has been providing monthly updates on the upcoming project, this was its chance to perform on the big stage. Especially after a disastrous trailer last year.

And this time, it did. Not only was there a cinematic story trailer in which Master Chief talks to an artificial intelligence that isn’t named Cortana, who is allegedly dead now, 343 also showed off ample footage of the multiplayer mode.

One huge element of the multiplayer is that it’s free-to-play, breaking down the usual barriers to entry of purchasing a full-priced title. Even those without Game Pass can play at no cost. Xbox confirmed that both campaign and multiplayer will launch at the same time.

The most curious part to me is that Microsoft is still playing coy with a launch date for Halo Infinite, what everyone expects to be its flagship 2021 title. After all the E3 coverage, it’s still listed as Holiday. As that time approaches without a firm date, the more skeptical I become that it will be out this year. For now, I’ll take them at their word.

#9: Guardians of the Galaxy

Finally, a big surprise! (Well, almost.) When talking major publisher showcases, Guardians of the Galaxy was in fact the most surprising of all reveals to me. Even if it leaked ahead of time. Before the event, Square Enix said a new game from Eidos Montreal would headline its digital event, and this was it. In conjunction with Marvel Games, the Canada-based team is making a game based on the oddball superhero crew.

What shocked me most is that it’s a single-player narrative action game where the player only controls Peter Quill aka Star-Lord, in his adventures with a misfit crew that includes Rocket, Groot, Gamora and Drax. Not only did Square Enix play a cinematic trailer showing the classic witty banter between these characters and story setup, it had a lengthy gameplay demo as well.

Combat is third-person action with Star-Lord using his blasters and jet boots to face against alien foes. The player can command each member of the team, almost like a special move. Rather than someone controlling every character like Marvel’s Avengers, this is solely a solo experience.

There also looks to be at least some narrative depth when it comes to choices and decision-making, where Star-Lord can decide to agree with one crew member over the other. How much that will dictate how things play out is anyone’s guess, but it’s a great system in concept.

Bonus points here for a release date of October 26th across all current and prior generation consoles, PC plus Nintendo Switch via cloud version. I’m looking forward to the usual humor and gallivanting across the stars from the Guardians later this year.

#10: Forza Horizon 5

What a ride it’s been! Speaking of, Xbox finally revealed what the rumors suggested: That Forza Horizon 5 is this year’s racing game from Playground Games, and it’s heading to Mexico. This was single-handedly the most gorgeous title shown across the entire week, featuring fast cars, stunning vistas and beautiful backdrops for the open world driving franchise that’s arguably the best in its genre.

2018’s Forza Horizon 4 is still popular these days, so many were anticipating what would come next. Now we know, as Playground boasts its “largest and most diverse world.” Features include dynamic weather and an “ever-evolving landscape.” It boasts a campaign mode plus co-op and competitive play, with classic game modes plus fun new ones such as bowling and piñata breaking.

Where it gets ridiculous is on the technical side. HDR. Raytracing. Photogrammetry, where the team takes photos or video of the actual locales in Mexico and somehow, I think using magic, translates all that data into realistic visuals with insane graphical fidelity within the game space. Then there’s all the cars, including the Mercedes-AMG Project ONE that’s featured in the gameplay sections.

Forza Horizon 5 was voted most anticipated game *overall* at the E3 Awards. Nearly unheard of for a racing game. Not only that, it’s out in November! We won’t have to wait long to see this beauty in action.

Bonus Game: Battlefield 2042

It’s bonus time. While technically revealed right before even Summer Game Fest, Battlefield 2042 was featured prominently at certain showcases including Xbox.

I believe the latest military spectacle shooter published by Electronic Arts has the most trailer views of any game revealed in the past week or so, currently at upwards of 15 million for the trailer at its official YouTube channel alone. Development team DICE shared a gameplay segment during Xbox & Bethesda’s stream, boasting futuristic weaponry, weather effects and a ton of outlandish multiplayer moments. Battlefield 2042 is the first mainline game in the franchise since 2018, and it’s proving a popular revitalization at least according to general interest during its announcement phase.

The much-anticipated and technically impressive shooter will certainly be a focus of Electronic Arts’ EA Play digital event on July 22nd. For now, head to its website for the latest info.

There you have the ten biggest stories from E3 2021 and a bonus to boot. A unique show in the scheme of things, but not without its amazing spectacle and awesome reveals. Judging by how long my gaming “watchlist” is compared to this time last week, I’d say it was still a good one.

Now it’s time to start planning for next year’s show, which is scheduled to be back in Los Angeles, California. In person! No word on dates yet.

What was the highlight of the show for you? How did your predictions go? Which showcase was your favorite? Do you prefer the digital format?

Be safe, and see you next year for more E3 coverage!

Sources: Company Press Websites & YouTube Channels, Entertainment Software Association (ESA)

-Dom

E3 2021 Preview & Predictions Spectacular

DomsPlaying2 Comments

It’s the holidays in June!

For gamers, that is.

After skipping last year due to obvious reasons, the Entertainment Software Association (ESA) is back hosting gaming’s biggest annual event. This time it’s rebranded to the Electronic Entertainment Experience (E3) and presented in an all new digital format.

Admittedly everything is a bit scattershot especially since the ESA is leaning on companies to schedule their own times, plus there are events happening around it that aren’t necessarily associated. (They like to stay close to capture that engaged audience, of course). It’s really the general season that counts, giving everyone a reason to celebrate all the new reveals, trailers and inevitable surprises.

During this piece, I’ll be covering previews and some (potentially bold) calls for various publishers that have formally announced their participation. Then will wrap up later with miscellaneous bets and random thoughts.

Here’s a rough calendar of events, subject to change. Then it’s time to get into the good stuff, and go on record with all my predictions!

  • Thursday, June 10th: Summer Games Fest.
  • Friday, June 11th: Netflix Geeked Week, Koch Primetime, IGN Expo.
  • Saturday, June 12th: Guerilla Collective, Wholesome Direct, Ubisoft Forward, Gearbox, Devolver Digital.
  • Sunday, June 13th: Xbox & Bethesda, Square Enix, PC Gaming Show, Future Games Show, Warner Bros.
  • Monday, June 14th: Take-Two, Capcom, Mythical Games, Freedom Games, Razer, Limited Run Games.
  • Tuesday, June 15th: Nintendo Direct & Treehouse Live. Bandai Namco. Yooreka Games, GameSpot, E3 Awards.

Koch Primetime (Friday, June 11th)

What We Know: Koch Media, a subsidiary of Embracer Group and overseer of Deep Silver, is hosting its first showcase actually before the start of E3 proper as part of Geoff Keighley’s conveniently-timed Summer Games Fest. Making the lives of predictors everywhere easier, Deep Silver already announced there will be no news on its biggest franchises: Dead Island, Saints Row, Metro or TimeSplitters. And honestly, Koch has been stingy with any information about what will actually be shown. It’s probably the publisher we know the least about when it comes to its streaming event. I mean, its tagline is actually “We Know Something You Don’t Know.” Okay then.

What I Predict: So, what the heck does that leave for the show? I expect something new from space shooter Chorus, currently slated for this year. Monster Energy Supercross 4 and MotoGP21 from Milestone are likely contenders. Iron Harvest and Phoenix Point with upcoming console releases are also a good bet. Here’s the long shot: We know Koch recently signed a co-publishing deal with Starbreeze for Payday 3. While it’s a long ways off, announced for 2023, let’s say we’ll get some sort of brief tease for that as well since it’s an important opportunity for both companies.

Ubisoft Forward (Saturday, June 12th)

What We Know: French publisher Ubisoft’s annual event really kicks off E3 weekend, and it’s always well-produced and hosted by pros. Beginning with an hour-long pre-show showing updates for existing titles For Honor, Trackmania, The Crew 2, Brawlhalla and Watch Dogs: Legion plus more, the team will then shift focus to upcoming games Far Cry 6, recently slated for October, then undated titles Rainbow Six (Formerly Quarantine) and Riders Republic. Both Assassin’s Creed Valhalla and the ever-present Rainbow Six Siege will have updates then Ubisoft Film & Television is scheduled to share more about its content.

What I Predict: Ubisoft claims there will be “a few additional surprises” during this Forward. What could they be? I’m thinking this is definitely where we learn more about the free-to-play Tom Clancy’s The Division: Heartland. Beyond that, I’m not nearly as confident. There’s a very slight chance that the recently-delayed Skull & Bones will make an appearance, it really needs some sort of showing to reassure folks that it’s on track. There’s infinitesimal odds of Beyond Good & Evil 2. And I don’t think Prince of Persia: Sands of Time will be there. I am in fact anticipating a new project reveal, even if a tease or title card. Might even be a new virtual reality experience. Though I’ve got bad news in that it, in all likelihood, won’t be a mainline Splinter Cell game.

Xbox & Bethesda Games Showcase (Sunday, June 13th)

What We Know: Without Sony’s participation this year, arguably the biggest event will be Xbox and Bethesda’s joint presentation. Microsoft described the focus as being Xbox Game Studios, Bethesda plus third party collaborators. It technically hasn’t confirmed any individual titles, though that doesn’t mean there aren’t those guaranteed, or close enough, to be present. Halo Infinite will have a blow-out. It legitimately can’t have a poor showing, especially since it’s the flagship title for Xbox’s late year calendar. Forza Horizon 5 location reveal and trailer are nearly a lock. Psychonauts 2 from Double Fine is a shoe-in for both gameplay and formal launch date, which I expect to be very soon. July’s The Ascent should be here. Then there’s Starfield from Bethesda, which will almost certainly be displayed in some form even if no release window. Rounding it out will be a lot from Xbox Game Pass and the ID@Xbox indie program, naturally.

What I Predict: Within that hour and a half, there’s a lot of room for unknowns. I’m thinking this would be a good time to see Halo Infinite multiplayer. And, yes, a battle royale mode which I believe absolutely has to be there right away to compete with modern F2P counterparts like Apex Legends and Call of Duty: Warzone. There will be a major Xbox Game Pass partnership. I’m calling Electronic Arts’ new Battlefield launching into the service. Betting that Rare shares how its new IP Everwild is shaping up, then maybe a quick technical showpiece from Senua’s Sacrifice Hellblade 2. Avowed from Obsidian is a good call. I’m not sure Perfect Dark reboot or State of Decay 3 will be present, same with Fable. Then, what’s new from internal teams? I bet we learn what Compulsion Games is up to recently since We Happy Few is already three years old by now. The big one will be (another) Wolfenstein 3 from MachineGames. Yes, I know the team is working on an Indiana Jones project. Wolfenstein is just too significant a part of the portfolio to be overlooked if it’s in any stage of progress to be shared publicly.

Square Enix Presents (Sunday, June 13th)

What We Know: Japanese publisher Square Enix will present Square Enix Presents and, as you can see above, we already know the highlights of what it’s presenting. Headliner is a “world premiere” from Eidos Montreal. More from Babylon’s Fall is guaranteed, September’s Life is Strange: True Colors will be there and, yes, Crystal Dynamics will keep on supporting Marvel’s Avengers with its upcoming Black Panther content.

What I Predict: With the show hitting a runtime of 40-minutes, Square Enix is teasing the old “and more” to keep us guessing. First off, leaks indicate that Eidos Montreal is building a Guardians of the Galaxy action-adventure game. Easy prediction there. More footage from Life is Strange: Remastered is highly likely. Forspoken is the new project from Luminous Productions, I think there will be a small section on that. Project Triangle Strategy should get an actual title that’s probably just Project Triangle. I’d imagine there will be at least one mobile title featured. Something Dragon Quest, after its recent event. The big question comes down to Final Fantasy (doesn’t it always with Square Enix)? Last we saw PlayStation 5 timed exclusive Final Fantasy XVI was around December. But I really think the company would lead with that as the headline if it was ready to take center stage, so I’m not sure it will be there in a major capacity. Or Final Fantasy VI Remake Part 2, for that matter.

Take-Two Interactive (Monday, June 14th)

What We Know: Not much at all other than Take-Two Interactive, owner of Rockstar Games and 2K Games, will be a part of the schedule for a Diversity, Equity & Inclusion Panel Discussion.

What I Predict: To me, this 100% means Take-Two Interactive isn’t sharing anything new at E3. Rumors point to Firaxis working on a strategy game in the Marvel universe while third party partner Gearbox Entertainment is cooking up a spin-off Borderlands entry called Wonderlands. While I’d absolutely flip out if the word BioShock was even uttered next week, don’t get hopes up. This sounds like a quick appearance.

Capcom (Monday, June 14th)

What We Know: Capcom is another one of these parties simply listed on the ESA’s website as having a “presentation” with no details whatsoever. The company hasn’t posted any specifics or teases, its investor relations website was merely updated with a new event called E3 2021 that links back to the same ESA page.

What I Predict: Knowing this, I expect another quick block with limited potential for new reveals. Monster Hunter Stories 2: Wings of Ruin is launching a month from now on Nintendo Switch and PC, so I bet it’s the feature here. Resident Evil Village released in May as its flagship title in the series this year, while March’s Monster Hunter Rise has already seen a couple updates to flesh out its endgame content. I’d say we see more from at least one of these. Going forward, I don’t expect much in the way of new or remade Resident Evil reveals or something from series like Mega Man or, God forbid, Dead Rising. And I’ll probably have to keep on waiting for my new Capcom fighting game prediction to come true. One day!

Nintendo Direct & Treehouse Live (Tuesday, June 15th)

What We Know: On the final day of E3 2021, Nintendo will step into the limelight and look to steal the show with its 40-minute Direct then three hours on gameplay details for select Switch titles. Though the company hasn’t said exactly which games will be there, there are certain titles that are almost guarantees. Mario Golf: Super Rush launches weeks after the event, so lock that in during both portions. Game Builder Garage will already be out by then, however I think Nintendo reminds everyone of that here. The Legend of Zelda: Skyward Sword HD hits in July, I’d be shocked if we don’t see gameplay. A bit further out is Pokémon Brilliant Diamond & Shining Pearl scheduled for November, which should be at least highlighted during the Direct. Plus there will be indies and ports galore, a staple of Switch ever since publishers recognize how well it’s selling.

What I Predict: Note how I haven’t mentioned the elephant in the room: The New Nintendo Switch Advance Pro Plus XL, or whatever the upgraded hardware iteration is going to be called. That’s because I don’t believe Nintendo will announce hardware during E3, and it’s almost too late to reveal it beforehand now. It will instead reserve that for a future, separate Nintendo Direct digital event. Which also means that a lot from The Legend of Zelda: Breath of the Wild sequel is up-in-the-air. My guess is a cinematic trailer with hints of gameplay footage during the Direct, though no hands-on time and a generic release window of Early 2022. In terms of other franchises, I’m skeptical of Metroid Prime 4 or Bayonetta 3 showing up in any meaningful capacity. Splatoon 3 looks far enough along that I could see even hands-on campaign play shown off. Pokémon Legends: Arceus now has a date of January 28, 2022, earlier than expected. So let’s say there’s a trailer for that here. Then there’s Nintendo’s classic “one more thing” moment. Mario Kart 9? Unlikely. Donkey Kong? Solid maybe. My inclination is a strong Super Mario Odyssey 2 tease, ending with a release window in 2022.

Miscellaneous Previews & Predictions (June 10th to June 15th)

What We Know: Well, there’s certainly going to be a lot more shown during E3 and its surrounding showcases and panels that I can’t possibly cover everything here. Warner Bros. will be there, focused on Back 4 Blood. Bandai Namco is assuredly bringing Scarlet Nexus. 24 Entertainment will show off its impressive Naraka: Bladepoint. A slew of third party and independent games via things like PC Gaming Show and Future Games Show plus enthusiast media coverage including IGN Expo and GameSpot’s Play For All Showcase. There are too many titles to name that we know should be there, especially with more of a focus on indie teams. Personally, I hope indies like 12 Minutes, Oxenfree II: Lost Signals and She Dreams Elsewhere will be somewhere. One indie title we know won’t be is Hollow Knight: Silksong. Unfortunately.

What I Predict: Here’s where I swing for the fences and have a bit of fun. You’ve probably been waiting for me to say this: What about Elden Ring! Bandai Namco has a slot late on the final day, and I’m calling it for real: This is where the legendary FromSoftware will finally bless the gaming world with its secretive soulslike, role-playing collaboration with George R.R. Martin. And it will be glorious. Now, what else? Will Hideo Kojima make a surprise showing during Summer Games Fest with his upcoming title? I actually think there’s a small yet not insignificant chance, given his bromance with Keighley. Will Microsoft acquire another studio? I wouldn’t count on it. Finally, in my wildest prediction yet, I bet that gamers will get along and not be disappointed by anything all week!

All in all, even as spread out as this year’s digital events will be, I’m just looking forward to having a few days dedicated to celebrating the industry and the hard-working people that grind it out every day. This is a special moment for them, those covering it like yours truly and everyone in the audience.

What about you? Which games are you most excited about over the next week or so? Are you willing to go on record with your most massively bold predictions? Feel free to share here or Twitter, especially as the big show approaches.

Good luck to all the teams showing off their games during this season. It’s an exciting time. Enjoy your E3 everyone, and be safe.

Sources: Company Websites, Entertainment Software Association, Saniya on Twitter @saniyaga for the clean schedule image.

-Dom

Sony, Ubisoft, Activision & Take-Two Earnings Recap: It’s a Numbers Game

DomsPlaying

As you likely read recently at my post of this quarter’s earnings calendar across gaming, tech and media, this week was an especially busy one for these industries.

In addition to the likes of Twitter and Disney, we saw gaming giants share updates on their recent financial results. Today I’ll both summarize and analyze Sony, Ubisoft, Activision and Take-Two reports and highlight the most important parts driving each business. Plus, chat some about predictions and where these companies are going in the near future.

I hope to.. hm, earn your confidence as we work through these because it should be a good one!

Sony Corp: Tuesday, February 4th.

Japanese media and gaming conglomerate Sony Corp reported a number of updates across its myriad of businesses for 3rd quarter of fiscal 2019, including its Gaming & Network Services (G&NS) business which houses its PlayStation brand and continues to be its main revenue source.

Notably, Sony announced that its PlayStation 4 hardware has now passed 108.9 million consoles shipped globally after moving 6.1 million during the holiday quarter. As expected later in the console cycle, this quarterly figure is down from 8.1 million last year. Still, the company reiterated its current forecast of 13.5 million consoles for the full year, implying we’ll see another 1.4 million come the end of March.

In terms of software within G&NS, PlayStation 4 game sales totaled 81.1 million copies in the quarter compared to 87.2 million in Q3 of 2018. 49% of these full game sales are now digital, when last year it was 37%. After its Q1 report hit 53% digital back in June, Sony is certainly on track to see at least 40% digital share this fiscal year which would be the first year ever it’s crossed this threshold.

Switching over to the services side, its PlayStation Plus subscription service, which offers online multiplayer access, hit 38.8 million registered users versus the 36.3 million player base last year. This increased subscription audience drove Network Services to be the only sub-segment within G&NS growing this quarter on dollar sales.

Speaking of dollars, Sony overall generated $22.4 billion in sales and operating revenue which is up 3% since last year on strength in its financial services and imaging businesses. Operating income however experienced a decline of 20%, to $2.73 billion. Within G&NS, sales dipped 20% to $3.3 billion with operating profit down 27% to just under $490 million due to lower hardware and external software sales. That PlayStation Plus user increase did help to offset this.

You’ll see in the chart above that even aggregating over the last 12 month period, during which sales were approximately $18.8 billion for its gaming business, the decline is tangible. It’s more pronounced than I even expected leading into the formal reveal of its PlayStation 5, due this holiday season. Partially due to the major success of titles like Red Dead Redemption 2 and Marvel’s Spider-Man driving sales during last year’s comparable time frame.

Sony’s higher network services revenue shows the growing importance of ecosystem and subscriptions to keep an audience engaged especially late in the cycle, helping to smooth out performance plus offset weakness in hardware and full game sales.

Within the PlayStation business, Sony realigned its segment reporting which I’ve presented above. Both digital software and add-on content and hardware sales experienced double-digit declines, though network services gained nearly 10%. Sony’s higher network services revenue shows the growing importance of ecosystem and subscriptions to keep an audience engaged especially late in the cycle, helping to smooth out performance plus offset weakness in hardware and full game sales.

Looking forward, the firm actually boosted its overall guidance slightly for sales and operating profit for the full year, though lowered these projections within its PlayStation unit, which means it expects a lower contribution than before. My personal take is that this quarter’s result is a bit lower than I anticipated, though certainly fits with where the major manufacturer and software producer is at ahead of its next console release in the back half of this year.

It’s going to be lackluster for a few more quarters leading into PlayStation 5, and I’m intrigued to see how its network services and subscriptions perform in the interim.

Ubisoft Entertainment SA: Thursday, February 6th.

Yesterday’s third quarter sales announcement from French video game publisher Ubisoft was lighter on the details than its competitors. But there’s still plenty to discuss (and speculate, of course)!

From the numbers side, sales for the nine months ending December dipped 16% to $1.23 billion which is on pace to come in well below the firm’s initial expectations due to softer sales of games like Tom Clancy’s Ghost Recon Breakpoint and Tom Clancy’s The Division 2 in particular. Ubisoft did point out that Just Dance 2020 is.. this is an easy one, performing well. Digital equates to nearly 80% of total sales, a figure which includes both digital game downloads and in-game purchases.

Because of somewhat weaker results for new titles, back catalog sales are propping up its recent numbers. Revenue of these older titles hit nearly 69% of business compared to 62% in the same period last year. Assassin’s Creed Odyssey from 2018 saw a major rise in unit sell-through plus engagement compared to its predecessor Assassin’s Creed Origins. 2015’s Tom Clancy’s Rainbow Six Siege is still showing excellent momentum years after launch, boasting 55 million registered players and record active users for a December month.

Unfortunately, Ubisoft doesn’t share much in the way of profitability metrics outside of annual reporting. I’d imagine it’s facing a similar trend in declines, perhaps even more pronounced because of rising costs associated with developing games that it delayed a few months back. It did reiterate its full-year sales targets for both this fiscal year ending March and the following one, showing early confidence in its adjusted release schedule.

At a personal level, I’m extremely excited for Ubisoft’s robust lineup after the type of year it’s had with core franchises. At an analyst level, I’ll remain intently skeptical all targets will be met until we hear exactly how these games will roll-out.

Speaking of its development pipeline, we’ve arrived at the best part of Ubisoft’s press release and conference call. The rest of this fiscal year through March is light. No major releases. Looking forward, CEO Yves Guillemot highlights the internal organizational restructuring in an attempt to strengthen its most important titles, which means the firm reiterated its plan to release five new triple-A titles between October 2020 and March 2021. Now we’re getting somewhere.

I spoke with Ubisoft Investor Relations briefly over email to confirm that three of these flagship games are targeted for the October to December window while the remaining two are slated in January to March. Three of these five have been formally announced: Watch Dogs Legion, Gods & Monsters and Rainbow Six Quarantine.

The worst kept secret in the industry is that a Norse-themed Assassin’s Creed game is on the way this Fall, so let’s mark that down as the fourth. My ongoing assumption for the final one is a new mainline Far Cry, thereby crushing the hopes of Splinter Cell fans everywhere yet again. Kotaku’s Jason Schreier claims that these are both true, so we essentially have an unofficial confirmation of its full fiscal year lineup.

It’s an ambitious schedule, especially for this upcoming holiday quarter during the launch of consoles from Microsoft and Sony. Ubisoft is usually one of the most dedicated supporters of a new generation, capitalizing on the updated tech and fervent early adopters. It sounds like this time it’s no different, although I wouldn’t be surprised if only two projects end up releasing before December and the remainder sometime during the first half of calendar year 2021. Having three titles jam-packed into the holiday quarter risks cannibalization, especially given how most of these games feature some sort of open world or action elements.

Now these aren’t the only pending games from the publisher. Guillemot points out it does have more intimate ones, as he describes them as “very innovative titles that have a particular focus on social interaction.” Main example being Roller Champions. I’d imagine there’s also a mobile game from internal studio Social Point or perhaps a new UbiArt style project made by a smaller team.

At a personal level, I’m extremely excited for Ubisoft’s robust lineup after the type of year it’s had with core franchises. At an analyst level, I’ll remain intently skeptical all targets will be met until we hear exactly how these games will roll-out.

Activision Blizzard: Thursday, February 6th.

Out of those reporting this week, domestic publisher Activision Blizzard was the only one with a fiscal year ending in December. Thus it shared both fourth quarter and annual metrics.

Twice the fun!

For the quarter, results exceeded internal expectations with net revenues of $1.99 billion though were down compared to the $2.38 billion generated last year. Operating income totaled $454 million, off from the $694 million in fourth quarter 2018. Nearly $1.29 billion of sales, equating to 65% of the total, were from subscriptions, licensing and micro-transactions rather than retail product sales or full game downloads. That’s the model for these major software makers going forward, after all.

Across the full year, Activision Blizzard generated almost $6.49 billion. Which is down a billion bucks since 2018. 76% digital share in 2019, essentially flat compared to the 77% in prior year. Operating profit reached $1.61 billion, down from the near $1.99 billion. Which means that while results beat the firm’s estimates, the trend is certainly down for the company overall.

What really caught my eye when looking at what’s driving these figures is the distribution of sales for the full year across its Activision, Blizzard and King businesses. Historically, Activision is top dog. That fits the narrative this year, as its split is 36% of total sales and 41% of profit. However, mobile subsidiary King is now in second place, which means the overall firm is now benefiting more from its casual phone offerings like Candy Crush than traditional games made by its storied Blizzard studios.

It’s clear that flagship franchise Call of Duty from Activision is as strong as ever. Call of Duty: Modern Warfare unit sales and engagement stats are up strongly compared to last year’s Call of Duty: Black Ops 4. Around half of Modern Warfare console sales are now digital, helping it become the best-selling game in the States during 2019 as I wrote about recently. Then there’s Call of Duty Mobile, which now has over 150 million downloads after one of the biggest launches in history.

On the Blizzard side, dollar sales ended the year at $1.72 billion which is down 25%. Monthly active users dipped 3 million since this time in 2018, now at 32 million. It’s a mixed bag for this division, where growth for Overwatch and World of Warcraft driven by a resurgence of interest for its Classic version couldn’t offset declines in Hearthstone and Diablo. It’s been an intriguing time for Blizzard in recent years, with a focus on continued support of older franchises rather than new releases. There’s Overwatch 2 in the pipeline, with no launch window. And I’m still skeptical of how fans will react to it. Then there’s Diablo IV, which I have to believe is a long ways out. This trend is likely to continue for the short to medium term.

Mobile subsidiary King is now in second place, which means [Activision Blizzard] is now benefiting more from its casual phone offerings like Candy Crush than traditional games made by its historic Blizzard studios.

Tying in with this is the last major item: its forecast for next year plus its mention of new titles. Activision Blizzard expects to generate $6.45 billion in revenue during 2020, slightly below this year’s figure. Guidance for earnings is also down 5%. Factored into this forward-looking guidance is.. surprise! A new Call of Duty project set to release in the last quarter of 2020.

Thing is, I’m not sure what else will drive its performance. Blizzard is set to focus again on continuing games like WoW, then a test phase for phone game Diablo Immortal in the middle of 2020. King reportedly has multiple new mobile games in development. On its conference call, Chief Financial Officer Dennis Durkin alluded to these not having material impact on guidance.

So, what will? Well, friends, we’ve reached the highlight. Activision Blizzard is sitting on a goldmine of legacy properties that it hasn’t leveraged as well as competitors. To that end, the company expects to “tap into our portfolio of beloved IP to bring several remastered and re-imagined experiences to our players in 2020, which we will announce closer to launch” according to Durkin.

In recent years, the company’s seen success with collections like Crash Bandicoot N. Sane Trilogy and Spyro Reignited Trilogy, the former being a major commercial win at 10 million units shipped. This type of quote shows that executives at least acknowledge the value of such brands. The issue becomes that fans of these franchises desire new games yet the quote is ambiguous. Will it continue to be more of the same or might we see new projects within these nostalgic series? Apparently we should hear sooner than later.

Take-Two Interactive: Thursday, February 6th.

Finally this brings us to the last one up. Another stateside developer/publisher in Take-Two Interactive, owner of historic labels Rockstar Games and 2K Games plus the Private Division publishing arm and mobile subsidiary Social Point. Take-Two reported its third quarter of fiscal 2020 results via the usual press release, then went in-depth on its conference call highlighting sales results of all its major franchises. (My favorite part.)

The way I’ll tackle Take-Two is talking broadly about its quarterly figures then drill into its owned businesses. Net revenue overall reached $930 million, down from $1.25 billion. Mostly because of the comparison to the massive launch of Red Dead Redemption 2 this time last year. Operating profit hit $177 million, down from $303 million in 2018 Q3.

Of its total sales, 37% is now from recurring spending; a metric which grew 15% this quarter and represents virtual currency, add-on content and in-game items. This drove the digital share to 75% of full revenue for the quarter. The company also reported that around 41% of its business originated from catalog sales, mainly those within the Grand Theft Auto and Red Dead Redemption franchises plus mobile titles from Social Point.

2K Games, which the company estimates will be around 55% of its business this fiscal, benefited from ongoing sales of NBA 2K20 as it now totals 8 million units shipped to date since its September release. Roughly on part with its predecessor. This quarter’s slate included the launch of Sid Meier’s Civilization VI on console, Borderlands 3 and NBA 2K20 for Stadia (neither of which I imagine contributed materially) and WWE 2K20.

Borderlands 3 continues its better-than-expected start since release a few months back, now totaling 8 million units sold-in. This is after moving 5 million copies within a five day span near launch. Take-Two notes that while it expects lifetime sales to achieve a record within the franchise, it’s factoring lower sales for Gearbox Software’s latest into its annual forecast.

On the flip side, WWE 2K20 saw a lackluster launch that drastically under-performed the firm’s internal estimates on both the critical and commercial sides. Developer Visual Concepts is working to rebound, though I think this year’s iteration is down for the count.

Still, the cash cow for Rockstar continues to be Grand Theft Auto V. A game which apparently isn’t yet in the homes of every single person who owns a gaming console because its lifetime copies shipped hit a whopping 120 million in the holiday quarter.

One of the most consistent and frankly notorious teams in the business is Rockstar Games, which will account for 35% of Take-Two’s annual net bookings. Its main release this past quarter was Red Dead Redemption 2 on PC around the year anniversary of its console version, which drove lifetime unit sales for the game to over 29 million. This is up from 26.5 million copies as of September, proving the impact of the new platform plus the ongoing adoption of Red Dead Online for which CEO Strauss Zelnick said engagement tripled year-on-year.

Still, the cash cow for Rockstar continues to be Grand Theft Auto V. A game which apparently isn’t yet in the homes of every single person who owns a gaming console because its lifetime copies shipped hit a whopping 120 million in the holiday quarter. That’s 5 million more than the prior quarter. No one at Take-Two or really anywhere in their wildest dreams could have predicted this sort of longevity.

A part of this crazy momentum is the ongoing success of Grand Theft Auto Online, which somehow achieved a record audience size in December and in the quarter overall. Recurring spending from consumers on GTAO jumped 54% this quarter after a new expansion in the Summer. Take-Two expects this online mode to have a record fiscal year in terms of recurring consumer spend. Keep in mind: The base game released in 2013, and its online mode really picked up steam the following year. Honestly doesn’t seem to be stopping anytime soon.

Moving to Private Division, its major release during Q3 was The Outer Worlds which debuted on Xbox Game Pass in addition to its console and PC platforms. Obsidian Entertainment’s recent space role-playing title, which earned a Top 5 spot on my 2019 Games of the Year list, has now sold-in 2 million copies since October. And that doesn’t even include downloads from Xbox Game Pass, nor its Nintendo Switch release which is set for sometime before March 2021 (I’d imagine even sooner).

Another quick note is that Kerbal Space Program, the first game in a franchise now run by Private Division, is approaching a new sales milestone itself by reaching nearly 4 million copies shipped. The company reiterated that its sequel is due in fiscal 2021 as well.

Switching over to the broader company’s outlook for the full year, it adjusted the numbers slightly though I wouldn’t say it’s a substantial impact. Basically it tightened the range in which its revenue expectations, then slightly lowered its profit guidance. As you’ll see above, net revenue should be up however net bookings will contract. I’m not as concerned as other industry commentators, as I think this quarter and year look a whole lot worse than they really are because of just how ridiculously well Red Dead Redemption 2 did.

I’d even argue Take-Two’s upcoming lineup is just as intriguing as Ubisoft’s, even if we don’t know as much about its major projects. Speaking on its development pipeline, Zelnick called it the “largest and most diverse in our history, including releases from our largest franchises, new IP and a broad mix of gameplay experiences.”

Sure, that’s a bit of corporate speak. It’s still somewhat indicative of where one of the industry’s premier software players is going. Shorter-term, this implies to me new annual releases in the NBA 2K and even WWE 2K franchises, new platforms for existing titles plus ongoing content for the online modes in its main games.

Medium to long term is where it gets exciting. First and foremost, the filing announcing the departure of former Rockstar Games co-founder and vice president Dan Houser said the team is working on both “current and future projects.” Where does Rockstar goes with its upcoming slate now that its model has changed to fostering player retention via online modes rather than solely single-player experiences? Will there be a Grand Theft Auto VI? The answer is yes, we just don’t know what form it will take with this different ideology. I’m more curious about what games Rockstar might have that aren’t Grand Theft Auto.

Then there’s (my beloved) BioShock. Take-Two announced a new studio called Cloud Chamber this past quarter, which is currently developing the next iteration in the series. Within this earnings release, the company reiterated that it will be in the works for “several years.” While it isn’t factored into the immediate forecast, I’m ecstatic to hear how it progresses.

Executives even fielded questions on other teams such as Hangar 13, known for Mafia 3, then the newly-formed 2K Silicon Valley led by industry veteran Michael Condrey. Sounds like these are in fact actively working on projects, we just can’t hear about them yet.

I’d say Take-Two’s current position is summarized by President Karl Slatoff as he echoes his CEO’s sentiment: Its pipeline consists of “new IP and existing franchises, free-to-play games, different business models, casual games, core games, mid-core games” about which they will share more in upcoming months.

While I don’t expect Take-Two to have a major presence during this year’s set of console launches outside of sports titles, we’ll undoubtedly see it capitalize on the new tech in the mid-term. And who knows, maybe Rockstar will surprise us?

—

Well then. That’s a pretty darn comprehensive look at the week that was in games industry financial reporting if I say so. Spiced up with my takes (as varying in quality they might be).

Reflected across all four is the trend of ongoing digital and services attempting to offset the contraction in hardware resulting from next generation beginning this holiday season, plus development plans that will ramp up at various points in the future. Ubisoft seems to be the most immediately impacted with its recent delays, while Activision and Take-Two lean on recurring sales from their biggest budget franchises to soften the blow while we await new tech from hardware manufacturers and emerging platforms alike.

If you made it this far: You rock! Thanks for reading.

Note: All comparisons are year-over-year unless noted. Currency conversions are to U.S. dollar as of February 7, 2020 for the sake of comparison.

Sources: Company Investor Relations & Media Sites, Getty Images, Kotaku, The NPD Group.

-Dom

It’s That Time: Boring & Bold E3 2019 Predictions!

DomsPlaying

It really is a holiday in June, for gamers and tech heads!

The Electronic Entertainment Expo 2019 officially kicks off next Tuesday in Los Angeles, though pre-E3 festivities start well before then as game companies large and small try to dazzle enthusiasts (and, in some cases, investors) with live presentations or pre-recorded digital shows.

Now, it’s super easy to do a recap of what we already know. Especially since this week has seen numerous leaks or early teases, from the likes of Ubisoft with Watch Dogs Legion to the rumored From Software and George R.R. Martin collaboration now called Elden Ring.

It’s also a snoozefest typing up a list of safe predictions. What’s the fun in that? It’s freakin’ E3! No matter how much comes out before the event itself, you and I both know there will always be reveals that no one is expecting.

Which brings me to this post. Across the next week, we’ll be bombarded with information on what’s new in gaming and related technology including consoles, streaming and even virtual reality. I’m going to write one boring and one bold prediction for each of the major company events, then a little something something for E3 proper.

If you need to follow along with the general calendar, the E3 Media Site and IGN’s Wiki Page are good resources. Let’s get this.. show on the road!

Electronic Arts: EA Play, Saturday, June 8th, 9:30 AM PT / 12:30 PM ET.

Boring: EA is scrapping its traditional (and honestly pretty tame) E3-adjacent press conference for a series of live streams starting later today as part of its EA Play fan event in Hollywood. This features previously released titles like Apex Legends, Battlefield V and The Sims 4 in addition to new iterations in its sports franchises. The major headliner is Respawn Entertainment’s Star Wars: Jedi Fallen Order, starting right at the beginning of the live show with a gameplay reveal.

Which brings me to my first boring prediction. EA is going to reveal details about Season 2 of its battle royale game Apex Legends, complete with a new character. We’ll see gameplay from that character today, and a start date right after its recent The Legendary Hunt event concludes on July 2nd.

Bold: Noticeably absent from the schedule is BioWare’s Anthem, the online action game that released in February to mixed reviews. Personally I enjoyed its mechanics, though acknowledged it was certainly rough around the edges. It’s baffling that older games like Battlefield V and The Sims 4 would be here while Anthem isn’t. I know its player count is dwindling plus BioWare hosted a separate stream recently for the game. However this is supposed to be EA’s flagship stream and one of its most recent high profile games is nowhere to be found?

I’m not sure how to read this absence, so let’s naturally go in a completely irrational direction. During today’s set of live streams or at its fan event, we’ll hear at least a bit more of what BioWare is working on next. Which is the next Dragon Age. While there was a quick tease at last year’s Game Awards, there’s been nothing since. If the developer has symbolically moved past Anthem, it has to.. slay any concerns fans have and reassure about its future.

Microsoft: Xbox E3 Briefing, Sunday, June 9th, 1:00 PM PT / 4:00 PM ET.

Boring: This is a huge E3 year for Microsoft. It’s even said as much. Its major competitor isn’t there. It’s building a new generation of consoles. It’s been gobbling up studios in hopes it can bolster its game lineup. It’s expanding on services, from Xbox Game Pass to Project xCloud. I’d argue this is the most important moment for Xbox as a brand, perhaps ever.

A bit dramatic? Absolutely. But also true. In fitting with this theme, even my boring prediction is massive: Microsoft will formally reveal its next generation of Xbox hardware, nicknamed Xbox Scarlett. This being the two rumored models: One more powerful then the other more entry-level. Nothing on price, timing or the boxes themselves. Just a teaser. If these are out in the fall 2020 timing that I’m estimating, we won’t see a blow-out until next year.

Bold: No, I don’t think Microsoft is going to acquire Capcom. Or Konami. Or any major publisher because that’s not going to happen. If anything, perhaps a smaller development team that isn’t publicly-traded.

That’s not going to be my bold prediction, of course. This is: We’re going to learn about not just one, not just two but THREE brand new, next generation titles from Xbox Game Studios. Head of Xbox Phil Spencer already said we’ll see 14 games from its teams. Not satisfied? Let’s say one of them is from one of the newly-acquired developers. Had enough? Lastly, the biggest of those games will be.. finally, a new Fable. Created by, you guessed it, Playground Games.

Bethesda Softworks: Bethesda E3 Showcase, Sunday, June 9th, 5:30 PM PT / 8:30 PM ET.

Boring: Late night on Sunday, when everyone else is dreading work the following day, gamers will be stoked to see what independent publisher and always wildcard Bethesda will bring to the table during its showcase. Safe bets are DOOM Eternal, Wolfenstein Youngblood and more DLC for Rage 2, which I reviewed recently. I predict we’ll see all three of these, plus more from at least one of its mobile offerings.

Bold: With director Todd Howard crushing dreams in saying recently that big-budget projects like Starfield and Elder Scrolls VI will not be making E3 appearances (which sense as there’s no way either of these is coming out this generation), what kind of crazy surprise might we see that’s unrelated to these much-anticipated games?

Well. I could use this space to predict that Bethesda will tease a new Evil Within title from legendary horror designer Shinji Mikami, who we know will be at E3. I could use this to say that Fallout 76 will receive a major update and go F2P at the same time. While both of those can certainly happen, I’m going elsewhere: Bethesda will finally reveal that Arkane Studios has been cooking up something real juicy. Twist! It’s not going to be within the Dishonored or Prey universes. It’s new. And it’s probably going to be awesome.

Ubisoft Entertainment: UbiE3 Press Conference, Monday, June 10th, 1:00 PM PT / 4:00 PM ET.

Boring: If we’re talking about guesses for French publisher Ubisoft, shoot almost all of them might be considered boring since we likely know its lineup before it even happens Monday afternoon. I mentioned Watch Dogs Legion before. October release Tom Clancy’s Ghost Recon Breakpoint will assuredly be prominently featured. We’ve even heard rumblings from my buds Nibel and analyst Daniel Ahmad plus Kotaku’s Jason Schreier of multiple new projects, including co-op shooter Rainbow 6 Quarantine, an RPG codenamed “Orpheus” plus even a roller derby title dubbed Roller Champions. Everyone seems to be getting in on the action!

The snoozer part of my prediction is that we’ll see all of these. Then another Just Dance, which will undoubtedly be revealed alongside a dancing animal of some sort.

Bold: Always animated Ubisoft CEO Yves Guillemot is a staple of these live shows, thankfully so, which means it’s easy to say he’ll be there again. That’s not my guess.

My super bold prediction is that new Nintendo of America President Doug Bowser (yes, Bowser) will make a special appearance together with Guillemot. Because the two gaming powerhouses are going to announce a spanking new collaboration! The easy guess is a Mario + Rabbids Kingdom Battle 2. This isn’t a place for easy. I’m thinking something new, a different blending of two brands, along the lines of Rayman and Yoshi. Trials and F-Zero. Something innovative. That no one is expecting, except me!

Square Enix: Square Enix Live E3 2019, Monday, June 10th, 6:00 PM PT / 9:00 PM ET.

Boring: Out of all this year’s live shows, I think Square is going to be the most surprising. In the best way possible. The Japanese publisher needs to redeem itself after last year’s average showing. I believe it will.

Easy predictions include headliners Marvel’s Avengers from Crystal Dynamics and the long-awaited Final Fantasy VII Remake from Tetsuya Nomura’s internal team. It’s unlikely we see anything more than a cinematic trailer for the former, though a gameplay demo for the latter is certainly feasible if not likely. I also think there’s a high likelihood we see gameplay from action-adventure Babylon’s Fall from PlatinumGames, plus the official reveal of People Can Fly’s shooter Outriders as it was teased on Twitter a couple days ago.

Lastly, in an interesting twist, Polish studio Techland revealed a week ago that Square will be publishing its upcoming open world zombie game Dying Light 2. Which is curious considering that the original was distributed by Warner Bros. Interactive Entertainment. I’m thinking we see a lot from this game here, plus a release window of Q1 2020.

Bold: As impressive as the above is, I’m betting Square will still surprise us and elevate its show to being a standout amid its competitors. Gematsu recently posted about an announcement event for mobile title Dragon Quest Walk, during which produce Yuu Miyake made mention of Dragon Quest XII in vague terms, hinting at some sort of announcement on the storied JRPG franchise despite the game being early in development. Being bold, I say we’ll see a tease along with its subtitle and a logo, similar to how Bethesda revealed the upcoming entry in its Elder Scrolls series!

Nintendo: Nintendo Direct E3 2019, Tuesday, June 11th, 9:00 AM PT / 12:00 PM ET.

Boring: Nintendo is once again slotted in on Tuesday mid-day, technically right before the start of E3 itself, with its Direct and then Treehouse Live stream. We’ve already got a good sense of what it will feature for its Switch hybrid platform, plus some.. inkling of what it could reveal. Pokémon Sword and Shield will be the headliner, after the reveal of its November 15th release date among new pocket monster variations in addition to more about its systems. Super Mario Maker 2 is out this month and Fire Emblem: Three Houses hits July, which means both should have lengthy demo sections.

I’m also betting we see gameplay from The Legend of Zelda: Link’s Awakening remaster, plus a potential release window. Luigi’s Mansion 3 should be shown in some capacity, along with exclusive-to-Switch Marvel Ultimate Alliance 3: The Black Order. Easy ones, done-zo.

Bold: If the aforementioned prediction on a crossover project with Ubisoft isn’t enough, you’ve come to the right place. Minuscule chance of Bayonetta 3 or Metroid Prime 4, though I’m not betting on it. However, what’s up with Animal Crossing for Switch? Nintendo still lists it as a 2019 game in recent reporting, though we know virtually nothing about it. Part of my bold prediction is that we’ll get the full blow-out. Cinematic trailer. Gameplay walk-thru during Treehouse. Plus! A December release date.

But that’s not all. It’s about time.. for Mario Kart 9. That’s right. A new Kart game, exclusive to Switch. Its predecessor is selling so well that this might be my most ridiculous pick of the day, but who cares! I went there. Let’s see if Nintendo does, too.

E3 Show Hours and E3 Coliseum: Los Angeles, Tuesday, June 11, 10:00 AM PT / 1:00 PM ET to Thursday, June 13, 6:00 PM PT / 9:00 PM ET.

Boring: All this said and we haven’t even started the show! On Tuesday, the expo itself opens its doors to exhibitors, press, influencers (ugh) and fans alike. There’s so much that I haven’t even mentioned here that’s a shoe-in to be there. Destiny 2! Cyberpunk 2077! Baldur’s Gate 3! Call of Duty: Modern Warfare! That’s not to mention all the independent developers showing off their sweet upcoming projects, of which there will be at least a handful of standouts. Untitled Goose Game, plz!

I’m thrilled to learn more about these plus see the myriad of panels featured at E3 Coliseum, which is a fantastic mini-event during the broader show. This year’s has so many talented people sitting down to discuss their games, including folks from Bungie, Respawn Entertainment, id Software, Xbox and more. It’s less a prediction and more a guarantee that this will be exceptional.

Bold: Alright. What the heck. I know Take-Two Interactive and 2K Games is focused on marketing Borderlands 3 this year ahead of September drop date, however I’m still forever hoping for a new BioShock game. My final bold prediction is that, somehow someway, we hear a rumor or tidbit about the secret BioShock project. Give me anything at all!

Whew. Being bold is tiring work. Whatever your opinion on E3, however many things leak in advance, I’m always going to be pumped this time of the year.

I’ve sent out a question on Twitter related to this post, asking for one boring and one bold prediction from all of you. I expect big things. Don’t disappoint, and enjoy this year’s gaming spectacle! I know I will.

Sources: Entertainment Software Association, All companies and tweets above, Kotaku, The Verge, PC Gamer.

-Dom

Earnings Calendar Apr & May 2019: Gaming, Media & Tech Companies

DomsPlaying

Updated: April 29, 2019

Back again!

Which means, let’s get down to.. business. Here’s the rundown of notable dates for gaming, technology and media results this quarter. Many fiscal periods end in March, so we’ll see a bevy of annual results during the next couple months. Which obviously means extra fun, all around.

See the above calendar image or below for a Google Doc which offers quick access to each investor site.

After that, I’ve highlighted three companies that I’ll be watching closely. What about you? Let me know here or on Twitter. Thanks for swinging by!

Working Casual Earnings Calendar Apr & May 2019: Gaming, Media & Tech Companies

Nintendo Co., Ltd (NTDOY): Thursday, April 25th.

It’s true that Nintendo makes this list virtually every quarter, though it’s especially noteworthy as its Switch hybrid console moves into its third year on market. It’s the end of the Japanese company’s 2019 fiscal year, one in which it previously predicted sales of 20 million Switch units. However, it recently backtracked to say this goal would not be reached. I was bullish on the hardware in recent posts, and still am even if it misses this lofty target, namely because of the rumor that two new models may be out soon. Not to mention its stellar software output. Nintendo has undoubtedly the most prolific short-term lineup of the “big three” manufacturers, with Super Mario Maker 2, Fire Emblem: Three Houses, Luigi’s Mansion 3, a new mainline Animal Crossing plus, most importantly, its flagship Pokemon Sword & Shield due in Q4. In fact, regardless of hardware, I expect software numbers to be above its guidance of 110 million copies from its last report.

Take-Two Interactive Software Inc (TTWO): Monday, May 13th.

Red Dead Redemption 2 from Take-Two Interactive’s Rockstar Games had an amazing launch last October and was the best-selling game last year in the States, wrangling a whopping 23 million copies moved globally to date per last quarter’s results. However, there are questions about how much momentum its Red Dead Online mode can sustain amidst heavy saturation in the online multiplayer space. The good news? One of its main competitors is Grand Theft Auto Online, also owned and published by Take-Two. Separate of Rockstar, I’m anticipating we could see increased guidance from the publisher now that Gearbox Software has announced Borderlands 3 for a September release. A new game in the Borderlands franchise combined with 2K Games’ steady-selling NBA 2K this fall is why I’m predicting the firm could not just boost its forecast going forward, but also then achieve it.

Ubisoft Entertainment (UBI): Wednesday, May 15th.

This will be the French gaming software maker’s annual earnings and the first report after the release of Tom Clancy’s The Division 2, the successor to 2016’s record-breaking Tom Clancy’s The Division. Early indicators are showing strength, though it will be difficult to eclipse the massive $330 million opening week of the original. We also should hear Ubisoft reiterate its plan for 3 to 4 “AAA” titles through March 2020. Especially important since there’s no Assassin’s Creed game in 2019. (Fans can rest easy knowing that it will return in 2020, in what’s likely going to be a Viking setting.) Many expect the lineup to include the previously announced pirate game Skull & Bones, a third Watch Dogs entry plus potentially a Tom Clancy’s Splinter Cell title. I’m not holding my breath on the last one. I’m leaning towards a sequel to 2017’s more action-heavy Tom Clancy’s Ghost Recon Wildlands. Even though the publisher will likely save full reveals for the Electronic Entertainment Expo (E3) gaming conference upcoming in June, any juicy tidbit or guidance adjustment would give a better indication of how its pipeline is.. rounding out.

As always, I appreciate you hanging out for discussion on the busy earnings season for companies in these sectors. Check back soon for updates to those that haven’t yet announced firm dates!

-Dom

Sources: Company Investor Relations Websites/Press Releases, NPD Group, Internet Game Database (IGDB), Nintendo Life, Wall Street Journal, Business Insider, Kotaku.

2018 Year-in-Review: Dom’s Top 10 Games of the Year

DomsPlaying

Hi all. It has certainly been a slow writing year for me here at the blog, though I try to maintain activity on Twitter as much as I can! With this last post of the year, I wanted to celebrate all the great times I had with notable games that so many dedicated development teams worked on during the past 12 months.

Let’s get right to it. Here are my Top 10 Games of 2018, in descending order. Plus, some bonus mentions at the bottom. Each is listed alongside developer, publisher, platforms and sales.

Which of these did you check out? Did any of these make your list? I certainly hope so!

10. Florence (Mountains, Annapurna Interactive)

Platforms: Mobile. Android & iOS.

Sales: Was tracking well early according to lead designer Ken Wong. Over 10K downloads on Android, 5K ratings on iOS.

Mountains’ Florence is nowhere near a typical mobile game. More of an interactive visual novel. Though it’s the type of game that wouldn’t work nearly as well on a platform *other than* mobile. It uses its platform masterfully to tell the tale of a couple in their 20s, from random encounter to honeymoon period to an inevitable rough patch. Its main mechanic is using the touch screen to literally piece things together (or attempt to do so) as an emotional narrative plays out. One that comes to an unconventional conclusion, and leaves a lasting impression as a result.

9. Celeste (Matt Makes Games)

Platforms: Everything, except mobile.

Sales: At least 500K units, according to the game’s creator Matt Thorson. Hugely successful for a smaller-sized indie team!

Celeste is a 2D platformer about struggle, mental health and attempting to overcome your internal criticisms to achieve an aspiration. As main character Madeline climbs Celeste mountain, the challenging gameplay combines with a suite of characters and a killer soundtrack to reveal it’s ultimately an allegory for setting a goal then dealing with obstacles on the way to fulfilling it. It’s a fine video game, frustrations and all.

8. Marvel’s Spider-Man (Insomniac Games, Sony Interactive Entertainment)

Platforms: PlayStation 4.

Sales: 3.3 million units its first 3 days, an all-time record for a PS4 exclusive. Currently stands as the 6th best-selling game of 2018 in the States.

For a medium that seems a perfect fit for superheros, not many recent games capture the essence of being one quite like Marvel’s Spider-Man. Insomniac stuck what I think is most important for the fantasy of being Spidey: effortless, stylish swinging through Manhattan then kicking the crap out of bad guys. While the game has snoozer side activities, annoying stealth sequences and uneven pacing, its gameplay, stellar 3rd act and surprisingly intimate character moments sling it above many 2018 games.

7. Return of the Obra Dinn (Lucas Pope, 3909)

Platforms: Windows. MacOS.

Sales: At least 100K units in around 2 months, per SteamSpy.

If you said a game made predominantly by one person that’s only available on PC/Mac where you play as an insurance adjuster would make my list, I would’ve looked at you like you were a kraken. But just last week, I finally played the game every critic I respect couldn’t stop talking about since its October ship date. It’s a sort of murder-mystery that tells the story of a doomed East India Company sea vessel called the Obra Dinn, via minimalist art and moment-in-time vignettes. Gameplay consists of navigating these snapshot memories using a magical watch, deducing what happened to crew members and passengers during the ill-fated journey. The sheer triumph of figuring out each fate becomes infectious, all the way through its conclusion and final reveal.

6. Monster Hunter: World (Capcom)

Platforms: Xbox One. PlayStation 4. Windows.

Sales: A whopping 10.7 million units. The best-selling single retail release in Capcom’s storied history, not counting re-releases.

This was the earliest major release of 2018, and the first time Capcom’s popular Monster Hunter franchise hit major consoles after being very popular on handhelds in Japan. A global audience latched onto the quirky, humorous fun of an action role-playing game where you hunt gargantuan wild creatures in a variety of detailed locales. Not only is the combat super satisfying, all of its systems blend to keep players engaged: studying animals, gathering supplies, crafting weapons, purchasing items, upgrading gear and taking on quests. Plus, it has cooperative multiplayer. And you hunt alongside a cat friend. It’s a “Palico.” That calls you Meow-ster. Purr-fect!

5. Yoku’s Island Express (Villa Gorilla, Team17)

Platforms: Xbox One. PlayStation 4. Nintendo Switch. Windows.

Sales: Not available.

I couldn’t write this list without including at least something pinball related. And Yoku’s Island Express isn’t just related, it’s pinball in video game form with a genius twist. Villa Gorilla ingeniously built a 2D world that integrates traditional pinball features like flippers and bumpers that allow for traversal across its environments. The player works toward unlocking areas, discovering secrets, finding collectibles and even fighting bosses using pinball as a means to achieve these goals. The controllable character is Yoku, a cute beetle-turned-postman, who delivers items across a cheerful world that’s unfortunately plagued by a dark curse. It’s the smartest synthesis of pinball and video game that I can remember, plus it features a joyful soundtrack and amusing dialogue. I had a ball!

4. Assassin’s Creed Odyssey (Ubisoft)

Platforms: Xbox One, PlayStation 4, Nintendo Switch (Streaming in Japan Only), Windows.

Sales: Unit sales aren’t explicitly available, as often happens with major publishers. Ubisoft shared that 1st week sales set a record for the franchise on current generation. Currently the 10th best-selling game of 2018 in the States.

It may feel like the Assassin’s Creed franchise has been around for ages, before Assassins and Templars started beefing. Odyssey is nearly its dozenth mainline title, seeing the player take the role of Alexios or Kassandra, a pair of Spartan twins embroiled in political, societal and even mythical battles as mercenaries in ancient Greece. I don’t say it lightly that it’s one of the best entries in the series. (Yes, even after I said the same about Origins last year.) Some argue it’s shifting further from the series’ tradition, with its enhanced role-playing elements, loot system, dialogue trees, romance options and skill trees. I argue that this is progression. Ubisoft is continually expanding on the stealth-action base of its past. Other than a lackluster conclusion for one of the major plot lines, I have very little to complain about for this sharpest of entries.

3. Tetris Effect (Monstars/Resonair, Enhance Inc)

Platforms: PlayStation 4, PlayStation VR. (I’d love a Switch version, please!)

Sales: Not available.

You aren’t suffering from seeing things, like you would if you were experiencing The Tetris Effect. There is a new Tetris game in my top three. We all know Tetris is one of the best games ever. I believe that Tetris Effect, produced by Mark MacDonald alongside visionary Japanese designer Tetsuya Mizuguchi, is the singular best Tetris game ever since the original.

Its presentation is flawless. Expertly-crafted backgrounds alone would be an experience in sensory bliss. Then, its sound design is legendary. Blips of auditory delights trigger with every tetromino spin, placement and drop, accentuating its uplifting, modern new age soundtrack. It’s not without innovations, either. Players can trigger Zone, a slow motion mechanic that provides for crazy combos. There’s Journey, a curated experience through many of its levels. Its Effect mode allows players to level up and compete on leader boards. Not to mention, it’s fully playable in virtual reality. Moments of synesthesia aplenty, Tetris Effect is borderline transcendental.

2. God of War (Sony Santa Monica Studio, Sony Interactive Entertainment)

Platforms: PlayStation 4.

Sales: 3.1 million units at launch, a record for a PS4 exclusive game until Marvel’s Spider-Man released. Currently at least 5 million copies.

It’s very telling that Sony’s God of War is this high on my list, as I have little nostalgia for the over-the-top action franchise. Its main character, the rage-filled god Kratos, carries over from the earlier trilogy. Though it’s effectively a brand new game set within a gorgeous world crafted this time around Norse mythology rather than Greek. It’s a technical marvel, with game director Cory Barlog and team achieving a single camera cut for the entire duration. Positively stunning visuals, though uneven performance at times. Combat with the new Leviathan Axe is wholly satisfying, especially throwing it at a group of enemies and recalling it. Admittedly, the base combat can be repetitive but each skill unlock reveals the true depth of its systems.

With this said, the game truly shines in its story, character moments and monumental boss sequences. It’s hard to think I’m actually describing a God of War game in this way, but it’s all true and that’s why it’s this high on my list. The plot revolves around an older Kratos attempting to fulfill his wife’s dying wish of spreading her ashes, now accompanied by his half divine son and combat partner Atreus (whom the player can direct during combat and puzzle sequences). Certain Norse figures show up, including Baldur, Freya and the prolific, hilarious storyteller Mimir. The father-son dynamic drives this epic quest along, which ends in an unexpected place and surprisingly captivated me with its narrative elements above all else.

1. Red Dead Redemption 2 (Rockstar Games, Take-Two Interactive)

Platforms: Xbox One, PlayStation 4.

Sales: $725 million in dollar sales during its first weekend. 17 million units in its initial two weeks. The second best-selling game of 2018 in the States. Not too shabby, partner.

This year, Grand Theft Auto developer Rockstar Games returned to the Western setting with the spectacular Red Dead Redemption 2. As a prequel to 2010’s Red Dead Redemption, one of my favorite games of last generation, I was both extremely excited and cautiously optimistic when it was announced. I’m happy to report it vastly exceeded any expectations I had, however lofty. This open world action game’s primary storyline delves into the gang formed by eloquent criminal Dutch Van der Linde, with the player controlling the crew’s second-in-command named Arthur Morgan. He’s a flawed man, loyal to a fault yet still shows the capacity for good deeds and compassion. The game allows you to interact with every character in the world, and ultimately decide what “your Arthur” becomes via a morality scale. The voice acting and motion capture across the board here, for all characters though especially gang members, is extraordinary. Additionally, we see appearances from a variety of familiar faces from the original game: namely John Marston, Javier Escuella and Bill Williamson. Each of them alongside a myriad of new characters makes it feel more like a bustling settlement than many others I’ve seen within the genre.

I can’t understate how visually beautiful and detail complete RDR2 is. Every biome across its world, from snowy mountains to desolate plains to swampy bogs, is populated with fauna, animals, random characters and places to explore. Many games boast what’s called “emergent storytelling,” as in moments that a player will experience individually, separate of the curated quests or story beats. Few deliver on this promise as much as Rockstar does here. It rewards you for going out on your own, talking to people, finding strangers and helping them with their requests. Hunting, fishing, playing cards and more activities open up and each is masterfully executed. Some of them could be games on their own. In fact, these emergent moments are just as memorable if not more so than the game’s missions for me.

Speaking of missions, its overarching narrative is a standout especially in terms of the manner in which it’s conveyed. It’s obvious Rockstar is telling a certain story here, with cutscenes and cinematics interwoven to rival modern films. Sure, its mission design isn’t necessarily innovative. And it doesn’t allow for much player choice during said missions. But that’s by design! There’s freedom in every other aspect that more than makes up for this curation. Missions are usually tense and engaging, especially “major” events like heists or gang endeavors. Arthur and his fellow crew members are constantly on the run from the law or engaging with rivals, not to mention their Western dream of freedom is slowly dying to the progression ushered in by industrialism. There’s plenty of weight to the campaign, especially in later chapters as relationships clash or unravel, and Rockstar weaves moments of fan service with surprising twists to tie the game and its predecessor together.

I’m not saying it’s a perfect game, or even a game for everyone. Some of its menu and UI design is dated. It’s deliberate. Its “feel” can be sluggish until you get the hang of it. You don’t speed through its open world, you mosey. You savor it, as exhibited by Arthur’s movement as he skins each animal, loots each drawer and chats with each gang member or passerby. You hear their stories. And then, you make your own stories that exist alongside Rockstar’s.

I loved this pacing. I loved exploring, finding oddities and secrets that felt like only I had ever seen them before even though I know that’s not true. I virtually *became* a character in America during the late 1800s. I lived in Rockstar’s hyper-realistic, beautiful yet dangerous world for hours and hours, and savored every moment as much as Arthur did.

Before I wrap up, I would like to mention that Rockstar has been criticized for its demanding work practices. Many team members work long hours, especially right before release. This dedication absolutely shows in the final product. And there are those that expressed how much they love working for the studio. Either way, I am hopeful that every single person is compensated fairly for their efforts. Labor practices and company culture is way too big of an issue to discuss here, so I’ll end with saying that no one should have to suffer mentally or with their family just to produce a video game.

Honorable Mentions (Alphabetical Order)

Dead Cells (Motion Twin)

Platforms: Everything, except mobile.

Sales: Upwards of 2 million owners on PC alone per SteamSpy. Not available for console versions.

Dead Cells is the type of game that I shouldn’t have enjoyed, with its roguelike elements including permadeath and losing gear after every “run,” however it ended up being one of my favorite 2D action games of the year almost on feel alone. It’s at its best when you have a run during which you build a sweet load-out and slice through opponents like butter. Though I never actually beat the final boss because of the difficulty spike, which I mark as a knock against it even if you might disagree.

Destiny 2: Forsaken (Bungie, Activision Blizzard)

Platforms: Xbox One, PlayStation 4, Windows.

Sales: The only official numbers we heard were for the original Destiny 2 launch in 2017, which was above 6.3 million units. Well beyond that by now, especially after sales and promotions, however exact figures are not available.

We all know I couldn’t end this post without at least mentioning Destiny. Bungie put out its major Forsaken expansion this September, marking the one year anniversary of Destiny 2’s initial release. And it’s excellent, featuring a campaign where lovable, witty robot Cayde-6 is murdered and the player must hunt down his killers. Plus, there’s a brand new raid, tons of new gear, secrets galore and a variety of quality-of-life updates. Bungie has kept up with maintaining Destiny 2 since launch, however this is the best it’s been. It’s as fun as ever to team up with friends and fight the galaxy’s most threatening enemies, while naturally looking pretty cool all the while.

Donut County (Ben Esposito, Annapurna Interactive)

Platforms: Everything.

Sales: At least 50K on PC, per SteamSpy. Otherwise, not available.

Have you ever dreamed of controlling a hole in the ground that swallows up entire towns? No? Creator Ben Esposito fulfills a desire that no one knew they had, crafting a fun-loving game with a simple mechanic. You move a hole around a map, growing with every item it swallows up until literally nothing remains. Its plot is actually solid, as friends Mina (a human) and BK (a racoon) work at a doughnut shop. BK plays a mobile game where he “delivers doughnuts” to people by sending them holes in the ground. It’s simple and funny, with slight undertones of a commentary on gentrification. The humor shines especially in its glossary, where each item is documented as it’s gobbled up. It’s also an accessible, easy to control game.

Hollow Knight (Team Cherry)

Platforms: Everything, except mobile.

Sales: Approximately 1.25 million units, when aggregating available PC and Nintendo Switch figures.

This entry is technically cheating, as Hollow Knight originally released in 2017. Its Switch launch happened this year, so that’s when I played it, and it’s sincerely excellent. The dark, dreary 2D action platformer stands out not just because of its challenging combat but because of its unique lore and creative world-building. It’s all about a lost kingdom of bugs, and those creatures that inhabit it. The player learns about secrets and mini-stories via exploration. Each time you proceed to a new area, you feel equal parts wonder and dread. It also has some of the most memorable boss sequences I’ve played the past couple of years.

Pokemon Let’s Go, Pikachu! and Pokemon Let’s Go, Eevee! (Game Freak, The Pokemon Company, Nintendo)

Platforms: Nintendo Switch.

Sales: In the two months since release, over 3 million units worldwide. The highest first week sales for a Switch title, until Super Smash Bros Ultimate hit 5 million at launch in December.

My final honorable mention is the latest set of adorable entries in the Pokemon franchise, which I’ll just call Let’s Go! because it’s a lot to type every time. These are re-made versions of 1998’s classic Pokemon Yellow featuring updating trappings inspired by 2016’s mobile phenomenon Pokemon Go. I grabbed the Pikachu version of Let’s Go!, of course, and loved building up my team of pocket monsters within the colorful world of Kanto, then using them to battle trainers and gym leaders. Favorite of my current squad? Arcanine. You can ride on its back, with Pikachu on your shoulder. That’s worth the price of entry alone!

There you have it. All the 2018 games worth playing! Well, there are other good games out there, but these are my selections for the best of the best. Thank you as always for reading, here’s wishing you all the best in the new year.

Sources: Photos are screenshots from my time with these games. Sales info as linked. Other information from company media and investor relations websites, Wikipedia, Venture Beat and NPD Group.

-Dom

2017 Year-in-Review: Dom’s Top 10 Video Games of the Year

DomsPlaying1 Comment

Here we go!

 

Since it’s been one of the best years for video games this generation, it was almost impossible to (1) rank my favorite games and (2) make sure that I include as many as possible that deserve recognition during such a competitive time. It was difficult, but I’ve managed to narrow it down to a ranked list of my top ten favorite titles then a five honorable mentions for your reading pleasure (or disdain, if you happen to disagree.)

 

One disclaimer of course is that I will be sharing screenshots and exposition that may contain spoilers. If you haven’t finished your most-anticipated games of 2017 then.. wait, why haven’t you finished them if they were your most-anticipated? Seriously though, fair warning that there may be spoilers starting.. Now.

 

1. Super Mario Odyssey (Nintendo)

Platforms: Nintendo Switch.

Estimated Sales: At least 5 million units, based on around half of Switch owners purchasing it (there are 10 million consoles sold to date).

 

During a year in which Nintendo rebounded to achieve an array of accomplishments, its most relevant to me is fully rejuvenating the Mario franchise with this magical, exploratory open world 3D platformer. Super Mario Odyssey is a sprawling adventure of our favorite Italian plumber along with his new sidekick Cappy, and is a pure joy to play while “Cap-turing” enemies to take over their abilities and grabbing each one of its hundreds of collectibles. I’m left with the closest feeling possible to how I felt playing Super Mario Bros on the Nintendo Entertainment System during Christmas Day when I was little more than a toddler. Especially during a sequence in the city-themed Metro Kingdom that hearkens back to a timeless arcade title from the Japanese company.

 

It’s a game successfully split in two parts: The first tailored to a more casual audience wanting to experience the story of Mario attempting to save Peach from Bowser’s slimy grasp, this time under the guise of the villain kidnapping the Princess and planning their wedding on the Moon. Though by the end, I’d argue this is a distinctly clever take on the “traditional” Mario story. Princess Peach ends up dismissing the advances of both Mario and Bowser, in a wink-and-nod moment from the designers. Instead, she takes a trip of her own alongside Cappy’s sister Tiara, smartly bucking the tired trope of the damsel-in-distress we’ve seen her play since the 80s.

 

Then, the 2nd part is a surprising post-credits sequence targeting the most die-hard of completionists with brand new kingdoms plus a ton of puzzles and collectibles in existing areas. I’m treated to playing as Yoshi in the iconic Mushroom Kingdom, finding a theater in the Metro Kingdom with a playable version of the aforementioned Super Mario Bros and ended up conquering one of the most difficult levels in the franchise’s history. This final endeavor is a true delight, as it incorporates both platforming elements and the “Cap-turing” mechanic in fun, impressive ways.

 

If a video game that both tickles my nostalgia bone and stands as the pinnacle of its genre with new gameplay hooks, an unrivaled attention to detail and extreme polish doesn’t top my list, then I don’t know what does. It’s hard for me to find a glaring flaw with, except maybe that I wish Nintendo would hurry up and announce new future content (maybe a kingdom or two..) so I never have to leave the world of Super Mario Odyssey.

 

 

2. The Legend of Zelda: Breath of the Wild (Nintendo)

Platforms: Nintendo Switch, Wii U.

Estimated Sales: Similar to above, more than 5 million units. Likely even more than Odyssey because of Breath of the Wild releasing earlier.

 

Nintendo’s rebound began in March with the release of its Switch console and *probably* my 2nd favorite mainline Zelda game ever behind Ocarina of Time. Breath of the Wild is an action-adventure starring familiar characters like the timeless hero Link and Princess Zelda is the epitome of the “emergent storytelling” buzzword, a label often bestowed but rarely achieved. It’s set in the fantastical world of Hyrule, again haunted by the dark force Ganon, and the wonderful part is the world is wide open after a brief tutorial area for the player to run, explore and (most importantly) climb everywhere they can see. It features beloved areas like Goron City, Rito Village, The Lost Woods and countless others complete with their respective cultures and characters.

 

Now it doesn’t have the most engaging story, and lacks traditional “dungeons” that certain fans will miss. But I believe it MORE than makes up for this with intricate gameplay systems and an array of puzzles (i.e. shrines, mazes and collectibles) that allow for personal, powerful moments. If I thought I could do something, I could. Like of course a metal object conducted electricity. Absolutely it’s hard to climb when it’s raining. See that snowy mountain? Better bundle up before scaling it! Plus I’d often be rewarded with a useful in-game item, and ultimately a feeling of child-like awe inspired by so few games these days.

 

Admittedly, I was skeptical of Breath of the Wild prior to release. I was hesitant on weapon degradation, limited stamina and the necessity to prepare for the weather or elements. But I ended up actually really enjoying these systems within the broader world because each forced me to try new things, improvise under duress and consider a variety of factors when fighting, exploring or facing puzzles. The game is downright magical, and I honestly wouldn’t have it any other way.

 

 

3. Assassin’s Creed Origins (Ubisoft Entertainment, Ubisoft Montreal)

Platforms: PC, PlayStation 4, Xbox One.

Estimated Sales: Hard to say. Launch sales were twice as much as 2015’s Assassin’s Creed Syndicate, but that title had soft figures compared to others in history. It has almost 500K owners on Steam, but without specific console numbers I won’t speculate.

 

Ubisoft is another company that had a stellar year, and its best 2017 game is also its most important since it signaled a new direction for the decade-old Assassin’s Creed series. Set in Egypt around 50 BC during the occupation of Greek and Roman forces, Origins is hands-down the most beautiful game I played this year in terms of technical accomplishment and general art direction. (Note I played the Xbox One X Enhanced version. 4K, High Dynamic Range, all that). Not only that but it also implements a loot system where I’m constantly earning new gear with which to experiment, and its upgrade options allow me to spec my character in a way that aligned with my intended play style and equipment load-out.

 

Speaking of character, I appreciate that it leans into original ones more than historical figures this time. Though Cleopatra is a key part of the overarching narrative. The protagonist Bayek is a kind of super-cop of his era, while his wife Aya is more of a freedom fighter. Its characters are enriched by the story and especially its vastly improved side quests that build out Bayek’s legend. Mini-stories remind me of games like The Witcher 3 and Fallout in both their world-building and character development. In one such quest, an older man begs Bayek find a very important book that will allow his wife to pass safely into the afterlife. But when Bayek returns, the man has since passed away. Bayek is left to find the gentleman receiving last rites and in a bittersweet moment, he leaves the book alongside his body in hopes that it allows both him and his wife to rejoin each other in the world beyond.

 

My only knocks against the game is that the modern day sequences are not very engaging, and its huge map is daunting when you first enter the world. Even so, Origins has vaulted ahead of great entries such as the aforementioned Syndicate and even 2013’s Assassin’s Creed IV Black Flag to settle as one of my top picks in the entire franchise, because it takes risks and distinguishes itself as being able to stand on its own merits while also connecting with the underlying lore.

 

 

 

4. Horizon Zero Dawn (Sony Interactive Entertainment, Guerilla Games)

Platforms: PlayStation 4.

Estimated Sales: At least 3.4 million units, near launch. I’d wager close to 4.5 – 5 million by now based on the PS4’s user base rocketing above 70 million consoles.

 

Horizon Zero Dawn is the first “brand new” game on my list, as Guerilla Games creates a post post-apocalyptic world in which a small group of people has reestablished tribal communities after barely surviving a major calamity. Cool twist is in the 31st century, the main relics of the past are actually massive, mysterious robot creatures that resemble real-life animals or dinosaurs and are super hostile to humans.

 

But alas, Aloy is the playable character here and she’s a bad-ass, bow-wielding hunter-gatherer with an ability to combat these crazy mechs and even interface with them using technology from millennia past. After her mentor is tragically killed, she sets out on a quest to see why she’s so special and what actually happened to humankind. It’s a gorgeous, majestic open world action game with a gripping narrative and varied combat encounters as enemies require different tactics to outsmart and overcome.

 

The reason Horizon is so good is it borrows elements from a variety of games within the 3rd person action and open world genres then integrates them into a setting that is pure eye candy. For instance, take “Cauldrons.” These are cool-looking underground areas featuring light puzzles and tough combat engagements. Picture lots of neon lighting and man-made structures combined with natural formations. Emerging victorious from each Cauldron allows Aloy the ability to control a new set of machines, tying back into the lore of the world while also advancing the player’s set of powers.

 

In the end, Horizon features two parallel story lines: A brewing tribal war, and Aloy’s search for her past and discovery of the ultimate fate of ancient humans. These both pay-off in a big way, marking one of the most memorable blends of gameplay and narrative of 2017.

 

 

5. Destiny 2 (Activision Blizzard, Bungie)

Platforms: PC, PlayStation 4, Xbox One.

Estimated Sales: Well over 6.3 million units, based on Activision announcing it has outsold its predecessor. Activision also noted it’s the 2nd highest-selling console game in North America this year based on dollar sales, behind only Call of Duty: WWII.

 

Rounding out my Top 5 is what began as my most-anticipated game of 2017, the sequel to Bungie’s 2014 shared world, multiplayer shooter Destiny. Let’s be frank: Anyone that knows me or reads my Twitter timeline already knows how much I love this sci-fi franchise, so it shouldn’t be a shock that this ranks as high as it does despite mixed reactions from critics and community alike.

 

Destiny 2 is not a perfect game. But it is among the best in the business at what it does well. It has a most amazing art design, especially its wonderful sky-boxes and stunning color pallet, which players can now enjoy in 4K on premium platforms and an uncapped frame rate on PC. It has an intense, entertaining campaign that vastly improved on the original game. Its character customization and equipment options are varied so that no two players look the same, and the feeling of snagging that one piece of loot you’ve been hoping for is always triumphant.  Its co-op activities, especially the high-level “strike” missions and its difficult six-person raid, are unlike anything you’ll see in a modern first-person shooter.

 

Though what really stands out and keeps me coming back is its stellar gameplay. Its moment-to-moment mechanics of moving through environments to encounter and take out enemies is the best of any shooter maybe of all time. I argue this is its most important feature, outweighing any trouble it has with stagnant progression, end-game incentives and weak player-vs-player competitive play in the “Crucible” game mode. Like I said, Destiny 2 has its fair share of issues, but it’s still my favorite game to play alongside friends and I keep returning to it months after initial release.

 

 

6. NieR: Automata (Square Enix, Platinum Games)

Platforms: PC, PlayStation 4.

Estimated Sales: 2 million units.

 

I didn’t expect to even play Platinum Games’ follow-up to its cult hit NieR until I tried its short demo, available shortly before release. But this odd, way out-there action game with elements of JRPGs, arcade shooters and bullet hell genres stands out in a competitive year mostly because of its magnificent soundtrack, unique structure and absolutely outrageous story that forced me to contemplate the very nature of existence and what it means to be “alive.”

 

Deep stuff, I know. But when a game takes place in a distant future where androids, created by humans, are locked in a perpetual battle with machines, created by ancient aliens, you know it’s going to go places. And go places it does. I don’t want spoil too much, but what NieR: Automata does so well is it tells its overarching story from the perspective of multiple protagonists: Androids with “designations” like 2B, 9S and A2 instead of actual names. The androids and machines of this future world are mostly fighting each other, true, but are also learning about themselves and the world as this fight wages on. It shows how the created begin to take on characteristics of their creators, and what happens when these artificial intelligences begin to discover what, and eventually “who,” they actually are.

 

Some of the knocks against the game are it isn’t the prettiest-looking (and it ain’t), its map is a jumbled mess, its systems are opaque and the second “act” drags on because the player is revisiting a major story line from the first but in a slightly different way. This is why it’s not higher on my list. And it’s so difficult to talk about the genius of NieR: Automata without doing a full analysis of its story and themes, but suffice to say that if you are into games with killer soundtracks or narratives that weave themes of philosophy, science, AI and existentialism, then you will dig the heck out of this one.

 

 

7. Cuphead (Studio MDHR)

Platforms: PC, Xbox One.

Estimated Sales: 2 million units.

 

Since Cuphead’s reveal during E3 of 2014, I had been using the same (bad) running joke: Whenever someone brought up the game, I’d say “Believe it when I see it. And I don’t think I’ll ever see it.” Think about it: A super ambitious, hand-drawn title using the animation style of a 1930’s cartoon being developed by a tiny studio run by a family that had never commercially released a game. A niche Microsoft exclusive showed at every trade show for years, rumored as nothing but an onslaught of very challenging boss fights in a two-dimensional play area. Then, it was updated to include platforming levels that felt “tacked on” by those that saw them behind closed doors. Plus, for a long while, there was no release date in sight.

 

Boy am I glad that I was wrong, as were those that previewed those early builds, now that it’s hit the market. Sibling tag-team of Chad and Jared Moldenhauer, along with help from Chad’s wife Maja and others at Studio MDHR, have made one of the most extraordinary video games I’ve ever played. A run-and-gun platformer that literally looks and feels like a cartoon made during the time between the Great Depression and World War II. Yes, it’s still mostly an onslaught of bosses with a handful of collectible platforming levels scattered between. But it *works*. Each foes is expertly-crafted and animated with such nuance and skill that I’m still in awe it exists. Plus it has a snappy overworld, a multitude of weapon types and purchasable power-ups allowing different styles depending if a player wants more health or the ability to teleport. And it’s music.. Spectacular. Imagine an epic boss battle amidst a backdrop of an iconic jazz or bouncy swing tunes playing live as you methodically dismantle your opponent.

 

Its main downside is the barrier to entry is high, as many players will be turned off by its difficulty including an especially frustrating sequence right before the final encounter. However for those that are fine failing over and over again just to experience that one moment of monumental triumph, Cuphead is best-in-class.

 

 

 

8. PlayerUnknown’s Battlegrounds (Bluehole/PUBG Corporation, Microsoft Studios, Tencent)

Platforms: Mobile, PC, Xbox One.

Estimated Sales: 30 million units. (And it will probably be, like, at least a million more by the time you read this.)

 

Here it is. Better or worse, PlayerUnknown’s Battlegrounds (or PUBG for short) is the biggest story in gaming this year. And it wasn’t even a full commercial release until just a week ago, spending the bulk of 2017 in a preview mode on PC. It’s even still an “early access” title on Xbox One. The battle royale, Hunger Games-style multiplayer game that started as a mod for survival games is a phenomenon because of its simple yet elegant premise: One hundred players parachute out of an airplane onto an island full of weapons and armor, and the last person standing wins.

 

You might say: “That’s not original! I’ve seen this before!” And you’d be right. It’s one of many in the battle royale, last man standing genre. But I’d argue why PUBG is so beloved (and hated, by its detractors) and ultimately successful is a much more nuanced discussion. It’s a game going for realism, but its charm actually lies in its rough edges and “jank.” Its natural pacing is impeccable, as players experience the endorphin rush of a good loot game every single match between moments of high intensity and much-needed recovery. Its combat is very difficult to master, which means every successful kill feels like a victory in and of itself and an actual victory feels like bliss.

 

Similarly, every mode echoes a different genre: Solo play is a stealth-action horror game, where death can be behind any corner.. or bathroom door. Duos becomes an intricate, technical tango between two players calling out drops and enemy locations. And squads mode is a frantic, fast-paced feud of four-person teams. PUBG offers something for every type of competitive player, and its “circle” mechanic where the map slowly shrinks forces the action no matter the mode, resulting in memories and YouTube videos galore.

 

From a technical standpoint, PUBG has a long way to go. It only has two maps on PC, and just one on Xbox. It crashes and drops connections regularly on console, to a maddening effect. Though it has a solid foundation in place, and an addictive gameplay loop can hold players over until its tech is cleaned up and more variety is offered in terms of map locations. Here’s to your next Winner Winner, Chicken Dinner!

 

 

 

9. What Remains of Edith Finch (Annapurna Interactive, Giant Sparrow)

Platforms: PC, PlayStation 4, Xbox One.

Estimate Sales: Yet another one where it’s hard to tell. Almost 120K owners on PC, but indie publishers often don’t disclose exact overall sales figures.

 

Indie studio Giant Sparrow’s spiritual successor to The Unfinished Swan is a masterwork in storytelling and world-building, and an emotional journey into one family’s tragic history. It follows Edith Finch, the last remaining survivor of her family, returning to her childhood home in the Pacific Northwest to delve deep into the memories of her deceased relatives. As the player, I walked and explored this makeshift house that seemed to reach into the heavens, climbing until I reached its pinnacle which both physically and figuratively acted as the climax of the overall narrative.

 

Its story is told via a sprinkling of vignettes showing each relative’s last moments, from a food-poisoned young woman who believes she is transforming into animals to an infant playing gleefully in a bathtub to a grieving uncle who opted to live in secrecy in a bunker underneath the property. In its most poignant mini-story from both a gameplay and story perspective, Edith’s brother Lewis is a drug user and cannery worker who daydreams of being a prince in a fantasy world. The game sees you controlling Lewis cutting fish with one hand while simultaneously moving about through his fantasy world with the other. The scene plays out as him traversing mythical lands to find his true love, the princess, all the while conducting the mundane task of his day job. It’s bittersweet in its message, and flawless in its execution.

 

Some of What Remains of Edith Finch is predictable because of its linear nature, and it’s a dreary game in terms of its overall look, but its unconventional story and final payoff outweigh these flaws to become one of my major indie recommendations for 2017. Its vignettes perfectly encapsulate snapshots in time, right before tragedy strikes. Moments that the main character, and I, end up cherishing.

 

 

 

10. Nioh (Sony Interactive Entertainment, Koei Tecmo, Team Ninja)

Platforms: PlayStation 4, PC.

Estimated Sales: Over 1 million units. Likely more, since that was a figure based on the weeks after release way back in February.

 

Rounding out my personal “Top 10” is Team Ninja’s challenging, hack-and-slash RPG Nioh. Set in feudal Japan, the protagonist is an Irish sailor turned samurai (yes, you read that right) named William who embarks on a quest to take down a devious villain with supernatural powers. One twist is this dark version of Japan is infested with not just human warriors but otherworldly foes called “yokai,” some of which tower over William in foreboding fashion or evolve into different forms. Upside is William can also call one of a number of spirit animals to his aid, and he builds an arsenal of melee and ranged weapons to support his effort.

 

Nioh is far from an easy game, especially early on when you have limited options in terms of armor, skills and upgrades. Many enemies can take out William in one or two swings of their weapon or a well-timed elemental attack, so cunning and timing are essential in combat. I needed to carefully consider my path through each level, unearthing shortcuts along the way that help when I respawn after my inevitable demise. But its epic boss fights are the real treat: Beating adversaries like a former mentor turned massive, pipe-smoking toad, or a hybrid lion-dragon chimaera monster or even a gigantic multi-headed sea snake is akin to the ecstasy felt if succeeding in games like Dark Souls or Battletoads.

 

Another draw of Nioh is it’s extremely rewarding in terms of loot and currency, seeing each battle result in a literal explosion of items to pick up from the ground. It also integrates a number of smart systems. When you die, a version of your character can then be summoned in other players’ games as a ghostly “Revenant.” You can also summon co-op partners to support in your current mission, or even have the ability to run most missions with a friend. Lastly, it offers higher-level versions of its missions that reward the most coveted gear. It’s this cross section of rewarding gameplay, intricate systems and the jubilant feeling after each encounter that makes Nioh so special.

 

Honorable Mentions (Alphabetical Order):

 

Call of Duty: WWII (Activision Blizzard, Sledgehammer Games)

Platforms: PC, PlayStation 4, Xbox One.

Estimated Sales: Best-selling console game of the year globally, and has generated over a billion dollars in revenue. Quick calculation leads to around 16-17 million units assuming it sells most of its copies at full-price. But if we assume discounts & exchange rate conversions etc, I’d wager 14-15 million already.

 

 

Hellblade: Senua’s Sacrifice (Ninja Theory)

Platforms: PC, PlayStation 4.

Estimated Sales: Over 500K units. Ninja Theory disclosed that the game has exceeded expectations and is now profitable.

 

 

Resident Evil 7: Biohazard (Capcom)

Platforms: PC, PlayStation 4, Xbox One.

Estimated Sales: 4.1 million units.

 

 

 

Splatoon 2 (Nintendo)

Platforms: Nintendo Switch.

Estimated Sales: 3.61 million units.

 

 

Wolfenstein II: The New Colossus (Bethesda Softworks, MachineGames)

Platforms: Nintendo Switch, PC, PlayStation 4, Xbox One.

Estimated Sales: Unfortunately not a huge commercial success. Just above 370K owners on Steam. No word on exact overall or console sales.

 

 

There you have it! What a year. I hope you gamers out there were able to play some of these titles, and got as much enjoyment out of them as I did. Thanks so much for making it this far, and let me know how you feel about these in the comments or on Twitter! Here’s hoping 2018 can live up to its incredible predecessor.

 

 

Sources: All screen caps taken by yours truly on one of the listed platforms, usually Xbox One for multi-platform titles. Estimated sales from an amalgamation of sources, including company announcements, financial statements, NPD Group, GfK/UKIE, equity analysts, social media posts etc. If you are interested in details behind sales stats, please drop me a line.

 

-Dom

Earnings Calendar Oct & Nov 2017: Gaming, Media & Tech Companies

DomsPlaying

 

Hi everyone!

 

As you can see, I’ve taken a bit of a break but I’m back for my latest earnings calendar post so we can all prepare to see how companies in the gaming, media and tech spaces are performing lately. Q4 performance tends to be an important indicator of how companies are faring against full-year estimates, since it’s usually the half-way mark for a fiscal year. And it’s especially telling if companies start to adjust guidance.

 

I’ve posted the calendar above with the most current dates available, and the link below takes you to the usual Google Docs location to use it as a reference:

 

Working Casual Earnings Calendar Oct & Nov 2017: Gaming, Media & Tech Companies

 

Some of the noteworthy results incoming within the next month:

 

 

Amazon $AMZN (Thu 10/26): The world’s largest online retailer by market capitalization recently closed its acquisition of Whole Foods back in August, so we should see the early impact of the deal on its overall business plus future guidance. Plus Amazon’s tone and guidance are always a good barometer of consumer sentiment going into the holiday season, which is of course the most important time of year for the online retailer especially as most holiday shoppers still tend to favor brick-and-mortar stores (for some odd reason.. embrace the digital revolution, folks!).

 

 

Nintendo $NTDOY (Mon 10/30): The Big N’s Switch hybrid console has even more sales momentum than I initially thought. It’s been the best-selling console in the States for the past 3 months according to NPD Group, and has moved over 1.5 million units in its home country of Japan to date. The firm’s stock is up a whopping 91% return since Switch’s launch in early March. Friend of the blog and analyst Daniel Ahmad says its worldwide total is likely around 7 million units by now, which means it’s well on its way to the 11 million in its 1st year that I predicted back in April and will likely even surpass that total. We’ll hear exactly how many have shipped in a little over a week, and exactly how much it’s contributed to the firm’s bottom line.

 

 

Samsung Electronics (Tue 10/31) and Apple Inc $AAPL (Thu 11/2): You could argue that the financial results of two of the world’s largest smart device manufacturers are always important to gauge how the global economy is doing plus how people are spending their discretionary income, but this quarter will be especially interesting for both as Samsung released its Galaxy S8 in April and its larger Galaxy Note 8 in September and Apple will provide current figures on overall iPhone shipments plus more guidance on its iPhone 8 which came out about a month back.

 

 

Ubisoft Entertainment SA $UBI (Tue 11/7): France’s Ubisoft has been on a tear this year when it comes to its lineup of games: Tom Clancy’s Ghost Recon Wildlands, For Honor, Mario + Rabbids Kingdom Battle and even 2015’s Tom Clancy’s Rainbow 6 Siege have all spent time on the best-sellers list across a variety of regions. In fact, Tom Clancy’s Ghost Recon Wildlands is actually the best-selling game of the year in the States as of late August, and For Honor holds the 4th spot on that coveted list. And Ubi isn’t done yet for the year, releasing South Park: The Fractured But Whole just this past week plus its triple-A holiday title Assassin’s Creed Origins later this month. The company also has been making efforts to remain independent from ownership of outside parties, namely Vivendi $VIV, by buying back shares and opening new studios so I anticipate its results will remain solid if not beat to the upside.

 

 

Thanks as always and I hope you stay tuned for commentary here and on Twitter during this earnings season!

 

-Dom

 

Sources: Company Investor Relations Websites/Press Releases, MarketWatch, NPD Group, Business Wire, Daniel Ahmad.

Companies of E3: Nintendo Spotlight & Treehouse Live

DomsPlaying

https://www.youtube.com/watch?v=M2mZS_p4A7Y

 

 

Nintendo $NTDOY is the last company to have an official press event, albeit in digital form rather than a live show. First it shared a 25 minute-long Spotlight with fans, which you can see in its entirety above, and now it’s moved right into a long session of Treehouse Live. It will be streaming its Treehouse Live segment from E3 both today and tomorrow.

 

Don’t let the length of its showcase fool you; Nintendo packed in a ton of games and reveals into this time, which you’ll see broken out one-by-one below, and it’s still revealing new stuff on its ongoing streams. Not to mention, we now know a lot more about Super Mario Odyssey!

 

What It Showed:

 

 

Super Mario Odyssey: It was shown at the end of the digital show, but I have to write about it first here. I’m not often rendered speechless. But Nintendo’s trailer and subsequent gameplay that it’s streaming as I write this for its upcoming 3D Mario game is breathtaking. And we now know its release date: October 27th!

 

https://www.youtube.com/watch?v=hUObvU9A_Cg

 

Here’s the gameplay segment from Nintendo’s Treehouse Live. Almost a half hour long. Lots of mechanics and areas shown, including a really cool section when it transitions from 3D to 2D gameplay. The game continues to surprise and charm!

 

https://www.youtube.com/watch?v=Xa4VmZBhdUM

 

Montage: Briefly showed a trailer featuring a number of games: ARMS, Pokken Tournament, Rocket League (a new announcement for the platform), Splatoon 2. Basically, a number of multiplayer games that can be played on Switch.

 

 

Rocket League: As mentioned above, the 2015 competitive online game that blends cars and soccer will be out on Switch in Holiday 2017.

 

 

Xenoblade Chronicles 2: Japanese RPG from Monolith Soft will be releasing Holiday 2017.

 

https://www.youtube.com/watch?v=DPafFVi6BaE

 

Kirby: New Kirby game, with a working title, releasing next year.

 

 

Metroid Prime 4: There is actually a mainline Metroid game being developed for Switch. But all we get today is a logo, hah!

 

https://www.youtube.com/watch?v=gc9FeeAEMWk

 

Metroid Samus Returns: Nintendo has announced two Metroid games in the same day, which is crazy. This is a 3DS game that Nintendo just unveiled on its Treehouse Live stream.

 

 

Yoshi: Nintendo is really bringing its A-game when it comes to its established, most popular franchises. This time it announced a new Yoshi game, no title, releasing next year.

 

https://www.youtube.com/watch?v=_T3Bx1fTtvI

 

Fire Emblem Warriors. Upcoming hack-and-slash game for both Switch and New 3DS, this is a collaboration between Intelligent Systems and Koei Tecmo.

 

https://www.youtube.com/watch?v=GGFe9zGPBeQ

 

The Legend of Zelda Breath of the Wild, New DLC: As Nintendo announced back when the game was announced, Breath of the Wild is the first game in the franchose to have post-launch additional content. Which is awesome, because it means we get more of one of the best games this year. First pack is June 30th, at which time there will also be four new amiibo figures available for characters in the game.

 

 

 

Mario + Rabbids Kingdom Battle: Same game we saw at Ubisoft’s show yesterday. Releasing August 29th.

 

https://www.youtube.com/watch?v=p2pOtuan4js

 

Elder Scrolls V: Skyrim for Switch: Similarly, we saw this game at Bethesda’s show on Sunday night.

 

What It Didn’t Show (Yet): Super Smash Bros, Capcom’s Monster Hunter XX, Online Service, Virtual Console or Mini SNES.

 

Now that Nintendo’s Spotlight has finished up, it marks the end of the major conferences for this year’s E3. But the festivities are just kicking off, with the show floor opening today and running through Thursday. I’ll probably have another write-up or two before the week is up, but follow me on Twitter for updates in the interim. Thanks again and enjoy the show if you are there or following from home!

 

-Dom

Companies of E3: Ubisoft E3 2017 Conference

DomsPlaying

 

Monday of E3 week has kicked off with Ubisoft $UBI and its E3 2017 Conference. The large French developer and publisher had a unique show, as it’s known to do, and always offers a diverse set of games. Plus surprises. Below is a rundown of projects it featured at its show, including a game that you might not have expected!

 

What It Showed:

 

 

Mario + Rabbids Kingdom Battle: The rumor is true, act surprised. The Nintendo Switch cross-over tactical RPG set in the Mushroom Kingdom will be out August 29th. (Yes, that’s a sentence I just wrote that I never thought I’d write.)

 

 

Assassin’s Creed Origins: Similar to what we saw at Microsoft’s conference yesterday. Ubisoft is showing a 30 minute gameplay reveal after its show, can post it later on. Again, launching October 27th.

 

 

The Crew 2: Second game in the open world, social racing game franchise. You can sign up for access to the beta testing run now at its website. Supposed to be releasing early next year.

 

 

South Park: The Fractured But Whole: October 17th. It’s a new South Park RPG. And it should be darn good!

 

 

Transference: “Enter the Home of a Mind.” Spring 2018. It’s a spooky virtual reality game. I don’t know what platforms, though.

 

 

Skull & Bones: Brand new game revealed. Many wanted a standalone pirate game after playing 2013’s Assassin’s Creed: IV Black Flag, and here it is. Made by Ubisoft Singapore, looks like a tactical open seas combat game. Set in a shared, systemic world that can be played single-player or co-op but mainly seems focused on competitive player-vs-player gameplay. Wondering what this means for Microsoft & Rare’s Sea of Thieves game that’s been featured at multiple E3’s, but I think these pirate games occupy different spaces in the market. Spring 2018.

 

https://www.youtube.com/watch?v=lAXJVkeBuGw

 

Just Dance 2018: As expected, another installment in Ubi’s long-running dance franchise. Note that this game is also coming out for Nintendo Wii. The Wii!

 

 

South Park Phone Destroyer: This is actually a cool, pleasant surprise to me from the show. A mobile South Park game, looks like turn-based combat and different character classes. I’d like to give it a try.

 

 

StarLink: Battle for Atlas: I’m almost certain this space game is code-name Pioneer, which was featured in 2016’s Watch Dogs 2 as a kind of easter egg trailer. It will have a toys-to-life tie in, might it be the next cool arcade style space simulation? Autumn 2018.

 

 

Steep Road to the Olympics: New expansion upcoming for the extreme winter sports game that released late last year.

 

 

Far Cry 5: Ubi showed off a tone piece trailer and then a more detailed gameplay section for open world, first person action shooter, seen above. Set in Montana, probably the most intriguing of the publisher’s lineup when it comes to its story and characters. February 2018 is when it’s out.

 

 

Beyond Good & Evil 2: And we’ve come to the surprise of the show. Follow-up to 2003’s Beyond Good & Evil, this is a game that’s been in development under secrecy for years and years. Made by Michel Ancel, this is the first we’ve heard from the long-rumored game that some people thought might not even exist. No word on release date or platforms, but I assume it’s PS4 and Xbox One but not releasing for another couple of years. At least.

 

What It Didn’t Show (Yet): Nothing from UbiArt engine. No real “smaller” indie-type of games. Which is unfortunate. Also, no Splinter Cell game, but of course that was my long-shot prediction again.

 

As you can see, Ubisoft had a strong showing of games and surprises. By my count, almost half of these were unannounced or hadn’t leaked prior to the show. Are you planning on playing any of these titles? Wish anything else was revealed that wasn’t at the show?

 

Stay tuned today, as the next conference up is Sony’s PlayStation event at 9 pm Eastern. Thanks!

 

-Dom